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9

Article: Album Review

Club d'Elf: Night Sparkles

Read "Night Sparkles" reviewed by Karl Ackermann


For the Boston, Massachusetts-based Club d'Elf, the boundaries are long gone; they may never have been there to start with. Almost twenty years ago, the group debuted with Live at The Lizard Lounge (Grapeshot Media, 2000), an amalgam of jazz, electronica, hip hop, and funk. At times, the group (always a fluid entity) has included accordion, ...

11

Article: Album Review

Orquesta Metafisica: Hipnotizados

Read "Hipnotizados" reviewed by Karl Ackermann


Argentinian Sebastian Volco is an avant-garde composer, pianist, guitarist, and electronics player with wildly eclectic tastes that course through the dance culture of his country to alternative rock, jazz, and beyond. He has recorded as a solo artist, in a duo formation and up through a variety of ensembles. He has led or co-led on more ...

2

Article: Radio & Podcasts

Destination Africa! Part I: Mali, Morocco & Tunisia

Read "Destination Africa! Part I: Mali, Morocco & Tunisia" reviewed by Ludovico Granvassu


In this episode we'll explore jazz by African musicians and by foreign musicians fascinated with the African continent and its music, with a special focus on Mali, Morocco and Tunisia. Happy Listening! Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Daniel Freedman “All Brothers" from Bamako ...

Album

Live at Club Helsinki

Label: Face Pelt Records
Released: 2017
Track listing: Disc 1: Mogador, Africa, The Booloolu, Hegaz, Secret Atom, Berber Song. Disc 2: Al- Hadra; Zeed Al Maal; Power Plant; Salvia; Green Screen; Sidi Rabi.

13

Article: Year in Review

Mark Sullivan's Best Releases of 2017

Read "Mark Sullivan's Best Releases of 2017" reviewed by Mark Sullivan


No genre breakdown this year. I've included every release that I rated at 4.5 stars or better, plus a number of 4 star reviews (that was the hard part, as there were lots of those). ECM had an exceptionally strong year, and I had trouble limiting my selection even this much. This is a chronological list, ...

8

Article: Album Review

Club d'Elf: Live at Club Helsinki

Read "Live at Club Helsinki" reviewed by Chris M. Slawecki


Club d'Elf and their sprawling live records present a unique challenge to folks who write about them. This double Live at Club Helsinki set reveals every modern style and multiple Moroccan rhythms (except for opera and bluegrass--maybe). But often we want so much to relate or explain these sounds, and there's so much going on in ...

6

Article: From the Inside Out

Jazz in Its Present Tents

Read "Jazz in Its Present Tents" reviewed by Chris M. Slawecki


Jazz sets up camp throughout different geographies--and centuries. Bossacucanova The Best of Bossacucanova Six Degrees Records 2016 Few bands have built upon the legacy of their chosen field the way that Bossacucanova has advanced the music of their native Brazil. Their story begins about two ...

1

Article: Album Review

Club d'Elf: Live at Club Helsinki

Read "Live at Club Helsinki" reviewed by Maurizio Comandini


Il gruppo mutabile di elfi che si raccoglie abitualmente attorno al bassista Mike Rivard ha colpito di nuovo. Questa volta però il gruppo Club D'Elf non è stato registrato nell'abituale Lizard Lounge di Cambridge, nella immediata periferia di Boston, che ospita praticamente ogni settimana (o giù di lì) i loro lunghi concerti. Per questa importante occasione ...

12

Article: Album Review

Club d'Elf: Live at Club Helsinki

Read "Live at Club Helsinki" reviewed by Mark Sullivan


The Boston-based collective Club d'Elf seems to attract genre labels like nobody's business. Moroccan-dosed dub-jazz, trance, psychedelia, free jazz, electronica, hip hop, avant-garde, jam band, rock...what other styles have you got? At one point or another any of these labels could apply, but the distinctions are blurred in the joyous sonic stew. The band has hosted ...

6

Article: Album Review

Club d'Elf: Live at Club Helsinki

Read "Live at Club Helsinki" reviewed by Doug Collette


It's not really necessary to be a dervish dancer to appreciate Club d'Elf, especially because, on Live at Club Helsinki, the prominence of varied sounds from Duke Levine's electric guitars, combined with the keyboard wizardry of John Medeski, is enough to capture and hold the attention of (almost) any contemporary music-lover. It's as effortless to fall ...


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