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Clifford Jordan: These Are My Roots: Clifford Jordan Plays Leadbelly
by Chris May
These Are My Roots: Clifford Jordan Plays Leadbelly is an oft overlooked item in the canon of tenor saxophonist Clifford Jordan, whose chef d'oeuvre was undoubtedly Glass Bead Games (Strata-East, 1974), one of the most exalted jazz albums of its era. But These Are My Roots, which was originally released on Atlantic in 1965 and has ...
Take Five with Markos Chaidemenos
by AAJ Staff
Meet Markos ChaidemenosMarkos Chaidemenos is a jazz musician who discovered his love for piano at the age of 16 (2005) and his passion for jazz at the age of 22. Although Markos earned his first bachelor at Informatics & Telecommunications in National and Kapodistrian University of Athens, he never worked in the field. After he mastered ...
Bill Cunliffe: Always Doing It The Right Way
by Jim Worsley
Most notably a jazz pianist, it comes as more than a surprise that Bill Cunliffe was not in the same orbit as jazz until he was in college. With the sheer volume of top shelf jazz he has written and recorded since, he would seem to have made up for any lost time. That time, those ...
Charles Mingus: @ Bremen 1964 & 1975
by Stefano Merighi
"In questo paese--sentenziò Charles Mingus--percepisco ancora intatto il puzzo delle camere a gas e dei campi di concentramento. Ma non fatevi troppi problemi: gli Stati Uniti d'America sono anch'essi un grande campo di concentramento." Il paese era la Germania Ovest, la città era Brema, l'anno il 1964. La dichiarazione è riportata da ...
Saxophone Colossi: An Alternative Top Ten Banging Albums
by Chris May
Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...
Clifton Anderson: Knowing the Road
by Barbara Ina Frenz
New York trombonist Clifton Anderson has mastered his instrument from the 1970s on in jazz programs of his home town outside the conservatory (which he also attended), that were initiated by leading spirits of the music such as Barry Harris, Sam Rivers, and Reggie Workman; these informal, professional jazz circles gave him information, insights and inspiration ...
@ Bremen 1964 & 1975
Label: Sunnyside Records
Released: 2020
Track listing:
CD 1:
Hope So Eric; Fables of Faubus.
CD 2:
Piano Solo; Sophisticated Lady; Parkeriana; Meditations on Integration
CD 3:
Sue's Changes; For Harry Carney.
CD 4:
Free Cell Block F, 'Tis Nazi Usa; Black Bat and Poles; Fables of Faubus; Duke Ellington's Sound of Love; Cherokee; Remember Rockefeller at Attica; Devis Blues
Mark Sullivan's Best Releases of 2020
by Mark Sullivan
Despite the circumstances, this was a high volume year for album releases, rich in both quantity and quality. Mine is not a ranked listing, but more or less in reverse chronological order. Since I wrote fewer album reviews than average, for the first time I have included several releases that I did not review myself.
The Peter Leitch New Jazz Orchestra: New Life
by Jack Bowers
After what Canadian-born guitarist Peter Leitch has been through in the last eight years, it's little wonder he named the ensemble he now leads the New Life Jazz Orchestra. Diagnosed in 2012 with stage 4 lung cancer, Leitch faced the choice of throwing in the proverbial towel or undergoing career-ending cancer treatment. He chose the latter, ...
Charles Mingus: @ Bremen 1964 & 1975
by Mike Jurkovic
It is 1964 and the big bass emperor rules the old continent as he commanded every stage he set foot on. So @ Bremen 1964 & 1975 just does not sound right. Charles Mingus Swings Bad Ass and Liberates Your Body and Your Mind @ Bremen sounds way more like it. For—as much as anything in ...
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