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Article: Album Review

Ensemble Dedalus + eRikm: Fata Morgana

Read "Fata Morgana" reviewed by Mark Corroto


If you have the belief that your house plants are talking amongst themselves, you may not be crazy. French composer and electronics musician eRikm aka Eric Matt, with the help of the experimental chamber Ensemble Dedalus, transmutes sounds created beyond the frequencies of human hearing into a spectrum accessible to our limited range. This process reveals ...

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Article: Live Review

Punkt 2019

Read "Punkt 2019" reviewed by Henning Bolte


Sørlandet Art Museum, Kick Scene, Domkirken, Kilden Punkt Kristiansand, Norway September 5-7, 2019 Punkt, with its 15th anniversary, is a quite young member among this year's prominent jubilees. It is still in the thrilling and promising future that has taken its course from 2005 on. Punkt then brought studio-technology to the ...

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Article: Year in Review

Il meglio del 2016 secondo Luca Canini

Read "Il meglio del 2016 secondo Luca Canini" reviewed by Luca Canini


Un anno di ascolti. Di musica, di amori, scoperte e delusioni. Nel segno di Henry Threadgill e del suo Old Locks and Irregular Verbs, il punto più alto toccato in dodici mesi che hanno riservato più di una bella sorpresa. Sia in ambito strettamente “jazz," da Nels Cline a Wadada Leo Smith, da Cristiano Calcagnile a ...

23

Article: Extended Analysis

Time Is A Blind Guide

Read "Time Is A Blind Guide" reviewed by John Kelman


Over the past couple of decades, Thomas Strønen has become, perhaps, best-known for his unfettered improvisational forays in electro-centric contexts: sometimes freewheeling and frenetic, as in Humcrush, the drummer/percussionist/electronics wizard's hardcore duo with his similarly inclined Norwegian partner, keyboardist Ståle Storløkken (and occasional guest, singer Sidsel Endresen); other times more spaciously ambient in the atmospheric Anglo/Norwegian ...

Article: Album Review

Food: This Is Not a Miracle

Read "This Is Not a Miracle" reviewed by Luca Muchetti


Torna Food, il duo di fine anni Novanta (nato però come quartetto) composto dall'alchimista sonoro Thomas Stronen, dal sassofonista Iain Ballamy a cui si aggiunge qui il chitarrista Christian Fennesz. La formazione che ha sformato un'avventura sonora completamente differente dalla precedente ogni qual volta ha deciso di entrare in studio di registrazione, in questa occasione incrocia ...

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Article: Album Review

Food: This Is Not a Miracle

Read "This Is Not a Miracle" reviewed by Mark Sullivan


British/Norwegian experimental jazz group Food have done something a little different with each album, especially since downsizing from a quartet to the duo of Iain Ballamy and Thomas Stronen (plus guests). For this one they are joined again by Austrian guitarist and electronics player Christian Fennesz--but Strønen has taken the lead. He explains “With Food, it's ...

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Article: Album Review

Food: This Is Not a Miracle

Read "This Is Not a Miracle" reviewed by Karl Ackermann


Since the formation of Food, more than a dozen years ago, the duo at its core, saxophonist Iain Ballamy and drummer Thomas Strønen, have remained the nucleus of a small but impressive coop of players who have added their unique creative ideas to an already out-of-the-mainstream entity whose philosophy has been to stun without their lasers ...

14

Article: Live Review

Punkt Festival 2015

Read "Punkt Festival 2015" reviewed by Henning Bolte


Punkt Festival Kristiansand, Norway September, 3-5, 2015 Kristiansand, home of the Annual Punkt Festival for the past decade, is a municipality situated on the southernmost point of Norway on the Skagerrak strait. It has a population of 86,000 (the greater urban area 155,000) and is the county capital of Vest-Agder.

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Article: Extended Analysis

David Sylvian: There's a Light That Enters Houses With No Other House in Sight

Read "David Sylvian: There's a Light That Enters Houses With No Other House in Sight" reviewed by Phil Barnes


David Sylvian's extended flight from pop stardom in the middle years of the 1980s was an enthralling counterpoint to that decade's facile obsession with surface and relapse into materialism. While mainstream pop retreated from the innovations and musical openness of post-punk into the empty banalities of bean counting corporate rock, Sylvian among a few others appeared ...


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