Home » Jazz Articles » Album Review » Ensemble Dedalus + eRikm: Fata Morgana
Ensemble Dedalus + eRikm: Fata Morgana
The artist eRikm has worked as a turntablist and sound artist, collaborating with the likes of Christian Fennesz, Otomo Yoshihide, Christian Marclay, and Martin Tetreault. Here he enlists the six-piece Ensemble Dedalus to interpret the inaudible (to us) sounds made into notes by the MIDI code, and finally, eRikm composes and arranges the materials along with field recordings from microphones placed in natural areas on all four continents. The sounds are Fata Morgana, a sonic mirage. Like a visual mirage, where you might convince yourself you see something that is not there, the sounds of imperceptible neutrinos, "Ambre Gris" or sperm whales' intestinal wax, microscopic insects, are made real. At least as a kind of phantasmagoria.
The ensemble's interpretations open and close the recording in an insect and amphibian habitat. These are strangely familiar realms with strings and brass interpreting the alien sounds transposed for the chamber ensemble mixed with the field recordings. The sounds are extraterrestrial yetand this is the terrifying thingthey are all around us. Think about this the next time you step on a spider or trim a hedge.
Track Listing
Microfaune; Expedition Pass Reservoir; Ambre Gris; Les Royaumes De L’irréel; Antares Neutrino; Solastalgie; Sonomorphose; Fernweh; Nymphe.
Personnel
Erikm
electronicsAdditional Instrumentation
ErikM: composition, electronics, field recording; Didier Aschour: guitar; Amélie Berson: flute; Thierry Madiot: trombone; Christian Pruvost: trumpet; Silvia Tarozzi: violin; Deborah Walker: cello.
Album information
Title: Fata Morgana | Year Released: 2023 | Record Label: Self Produced
About Ensemble Dedalus + eRikm
Tags
Marclay Martin Tétreault
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







