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9

Article: Multiple Reviews

Township Jazz: A Riot Busting Out

Read "Township Jazz: A Riot Busting Out" reviewed by Chris May

by Chris May

Dateline: April 2022. This month the American label Blue Note is launching its Blue Note Africa imprint with South African pianist Nduduzo Makhathini's single “Senze' Nina." It is fittingly synchronous that at the same moment, Britain's Ogun label is reissuing two albums by South Africa's Blue Notes, the band which introduced township jazz to Europe and ...

10

Article: Multiple Reviews

Township Jazz: Unlocking The Vaults

Read "Township Jazz: Unlocking The Vaults" reviewed by Chris May

by Chris May

Britain is often said to be the first country to have forged a style of jazz distinct from its American parent, during the late 1950s, in part through the influence of London-based players from South Asia. Closer examination of calendars and the historical record, however, shows that South Africa found its own jazz voice at the ...

8

Article: Book Review

The South African Jazz Real Book Vol. 1

Read "The South African Jazz Real Book Vol. 1" reviewed by Chris May

by Chris May

The South African Jazz Real Book Vol. 1 Jannie van Tonder & George Werner 166 Pages ISBN: 978-0-620-93506-7 Jazz.co.za 2021 In an age when songwriters are routinely defrauded by music streaming platforms--by every thieving one of them--you might think that another real book would be as welcome as ...

2

Article: Radio & Podcasts

Danilo Gallo, Ernesto Jodos, East Axis & Garfo

Read "Danilo Gallo, Ernesto Jodos, East Axis & Garfo" reviewed by Maurice Hogue

by Maurice Hogue

This show is loaded with new releases. My favourite record label, Clean Feed, continually provides excellent music and I dip into the latest batch (read our reviews), sampling new albums by Italian bassist Danilo Gallo & Dry Dark Tears, Lisbon's Garfo and edgy trumpeter Luis Vicente & his trio. ESP-Disk's place in the history of jazz ...

Article: Album Review

Gianluca Petrella, Pasquale Mirra: Correspondence

Read "Correspondence" reviewed by Giuseppe Segala

by Giuseppe Segala

Si avverte un forte aroma d'Africa, fin dalle prime battute di questo Correspondence, lavoro nato dalla collaborazione di Gianluca Petrella e Pasquale Mirra. Un'Africa non certo da cartolina, come ci hanno abituato ormai troppo spesso tante realizzazioni che prendono a modello il continente nero solo nella superficie. Certamente, anche qui siamo di fronte a una mediazione ...

4

Article: Radio & Podcasts

Nate Wooley, UMO, Alban Darche & Chick Corea

Read "Nate Wooley, UMO, Alban Darche & Chick Corea" reviewed by Maurice Hogue

by Maurice Hogue

This show has a tribute to the great Chick Corea and new releases from here and there: Finland's UMO Helsinki Jazz Orchestra, France's Le Gros Cube led by saxophonist Alban Darche, Australian's Alister Spence Trio augmented by guitarist Ed Kuepper, Canada's See Through 4, another guitarist Jörg Schippa from Germany, and Nate Wooley's Mutual Aid Music. ...

Article: Book Review

La rivoluzione di Joe Harriott nel jazz britannico, tra guerra fredda e spy stories

Read "La rivoluzione di Joe Harriott nel jazz britannico, tra guerra fredda e spy stories" reviewed by Angelo Leonardi

by Angelo Leonardi

Subversion Through Jazz—The Birth of British Progressive Jazz in a Cold War Climate Matt Parker 286 pagine ISBN: #978-1-9163206-3-5 Jazz In Britain 2020 Nei primi anni sessanta è stato il sassofonista giamaicano Joe Harriott a condurre il jazz britannico nella sua fase adulta, sganciata dai modelli del New ...

48

Article: Building a Jazz Library

Saxophone Colossi: An Alternative Top Ten Banging Albums

Read "Saxophone  Colossi: An Alternative Top Ten Banging Albums" reviewed by Chris May

by Chris May

Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...

81

Article: Building a Jazz Library

Guitar Gods & Goddesses: An Alternative Top Ten Albums

Read "Guitar Gods & Goddesses: An Alternative Top Ten Albums" reviewed by Chris May

by Chris May

Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...

9

Article: Album Review

Various Artists: Indaba Is

Read "Indaba Is" reviewed by Chris May

by Chris May

There are probably several reasons why American jazz made the deep and lasting impact it did on South Africa in the 1950s. One may be that the colonial regime which was imposed on the country during Europe's pan-African nineteenth-century landgrab was among the most vicious of them all, and persisted the longest through the apartheid system ...


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