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Various Artists: Hip Holland Hip
by Chris May
This carefully curated disc is subtitled Modern Jazz Classics 1950-1970 and is a collection of tracks recorded by Dutch musicians and released in the Netherlands mostly in the late 1950s and early 1960s. Few of the musicians other than a sprinkling of American guest artists such as Herbie Mann and Art Farmer will ...
Dele Sosimi & Friends At Ronnie Scott's Club
by Chris May
Dele Sosimi & Friends Ronnie Scott's Club London June 11, 2023 Born in London but brought up in Lagos, keyboard player Dele Sosimi was a child prodigy who joined Fela Kuti's Egypt 80 the moment he left secondary school in 1979. Sosimi had by that time been rehearsing with Egypt ...
Kurt Elling & Charlie Hunter: SuperBlue: The Iridescent Spree
by Chris May
As Shakespeare said, if it ain't broke, don't fix it. Kurt Elling and Charlie Hunter follow up their Grammy-nominated 2021 album, SuperBlue (Edition), with another sublime blend of jazz and groove. As on the first disc, jazz is represented by Elling, groove by Butcher Brown keyboardist DJ Harrison and drummer Corey Fonville. Hunter, who has had ...
Antonio Adolfo: Bossa 65
by Chris May
A decade or more younger than the composer / musicians in the first wave of bossa nova artists, Antonio Adolfo began recording under his own name towards the end of the 1960s. Better known as a pianist and arranger than as a composer, though he has written some notable tunes, in recent years Adolfo has carved ...
David Hazeltine: Blues For Gerry
by Chris May
A longtime member of the Criss Cross family, pianist David Hazeltine began recording for the label in the mid 1990s. Since then he has released around 30 Criss Cross albums, including eight as leader. During this time, bassist Peter Washington and drummer Joe Farnsworth, who complete the trio on Blues For Gerry, have been frequent comrades ...
Cherry, Redman, Haden and Blackwell: Opening The Doors Of Perception
by Chris May
ECM's audiophile vinyl reissue series Luminessence has a simple mission statement: it is to showcase albums that have “changed perceptions of creative music making." The series kicked off in April 2023 with Kenny Wheeler's Gnu High (1976) and Nana Vasconcelos' Saudade (1979). These are to be followed towards the end of June 2023 with Old And ...
Nicola Conte: Umoja
by Chris May
Nicola Conte continues on his journey from acid-jazz bohemian to spiritual-jazz sophisticate with this immaculately hip album, fronted on half of its tracks by London-based soul-jazz divas Zara McFarlane and Bridgette Amofah. Conte began his trajectory with the acid-jazz template Jet Sounds (Schema, 2000), boosted it with Jet Sounds Revisited (Schema, 2002) and, after ...
IzangoMa: Ngo Ma
by Chris May
The first thing that needs to be said is: this is not a jazz album. Jazz is only one of many musical traditions, most of them South African, that coalesce to form IzangoMa's debut. The percussion-rich, horn-embellished, multi-layered blend weaves together kwaito, mbaqanga, township jazz, marabi, pantsula, mbube, Jamaican nyabhingi drumming, electronica and a whole lot ...
The Jazz Doctors: Intensive Care / Prescriptions Filled
by Chris May
Beyond its initiates, the so-called New Thing which emerged in mainly, but not exclusively, Black US jazz in the 1960s/70s, was perceived so amorphously that prairie-wide distinctions between its practitioners went unregarded. Among the general jazz audience, the musicians were lumped together as a horde of crazed zombies who lacked all technique, and who had replaced ...
Tom Ollendorff: Open House
by Chris May
There is technical excellence, there is pretty, there is a well-honed trio, there is an in-sync guest saxophonist, and yet, and yet.... Open House is London-based guitarist Tom Ollendorff's follow-up to A Song For You (Fresh Sound New Talent, 2021), his debut, which also featured bassist Conor Chaplin and drummer Marc Michel. The ...
