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Funkwrench Blues: Soundtrack For A Film Without Pictures
by Chris May
Once upon a time it was hard to walk into an arthouse cinema without bumping into a jazz soundtrack. Miles Davis' for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959), Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962) were among a legion of similarly inclined endeavours. ...
Various Artists: Glucklich V1: A Collection Of Brazilian Flavours From The Past And Present
by Chris May
Collectors of Brazilian popular music from the mid and late twentieth century, who do not have the time or resources to visit the country for a spell of crate digging, can turn to European and Japanese DJs who do the digging for them, releasing their finds on compilation albums. In 2023, most of those crates have ...
Nanny Assis: Rovanio
by Chris May
The Brazilian-born, New York City-based singer and composer Nanny Assis is a big talent with a low profile. His elegant blend of jazz and Brazilian music puts one in mind of another similarly inclined and relatively little known stylist, the Berlin-based composer and producer Meeco, well loved in this parish. The work of both musicians is ...
Tony Bennett / Bill Evans: The Complete Tony Bennett/Bill Evans Recordings
by Chris May
In the mid-1970s, when singer Tony Bennett got together with pianist Bill Evans to record The Tony Bennett/Bill Evans Album (Concord, 1975) and Together Again (Concord, 1976), Bennett was considered terminally uncool by most jazz fans under 30, and rock fans of any age. Despite a few earlier outings in jazz contexts, including an album recorded ...
Nina Simone: You've Got To Learn
by Chris May
The release of this magnificent album, recorded live at the Newport Jazz Festival in 1966, is headline news for fans of Nina Simone. None of the material, all of it high grade, has been made available before. Newport promoter George Wein donated the tapes of Simone's performance to the US Library of Congress, where they lay ...
Kurt Rosenwinkel: Undercover: Live At The Village Vanguard
by Chris May
Kurt Rosenwinkel records in a variety of situations, either from inclination or to keep himself and his audience fresh or both. In 2022 alone, he released three unusually diverse albums: Plays Piano, a solo outing on which he plays piano only; The Chopin Project, a co-led disc with pianist Jean-Paul Brodbeck exploring the work of Frederic ...
Ash Walker: Astronaught
by Chris May
London DJ Ash Walker came to attention in 2019 with Aquamarine (Night Time Stories), a butterlicious mix of jazz, blues, soul, funk and dub reggae that was beyond categorisation. Astronaught is the follow-up, cut from the same cloth. Like its predecessor, it is by no stretch of the imagination a “jazz" album, however ...
Trevor Watts' Original Drum Orchestra: The Art Is In The Rhythm Volume 2
by Chris May
A co-founder of London's pioneering Spontaneous Music Ensemble with drummer John Stevens in the mid 1960s, saxophonist Trevor Watts has straddled an unusually wide spectrum of genres. With SME he explored an area of free jazz which, in deliberate contrast to contemporary American adventurers such as Ornette Coleman or members of the Association for the Advancement ...
The Amazing John Coltrane & Eric Dolphy At The Gate
by Chris May
The Impulse! label has released several outstanding John Coltrane live albums since 2000. With the exception of the latest, the sensational John Coltrane With Eric Dolphy: Evenings At The Village Gate (2023), each was recorded in 1965, the year when Coltrane's classic quartet with pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones, was at ...
Yossi Itskovich: Times
by Chris May
Trombonist and composer Yossi Itskovich is a relatively new arrival on the jazz scene, having only discovered the music in his mid-thirties and having up until then been part of the classical music world. Times is his debut album. Like most debuts, the all-originals, seven-track album is a tad self-conscious and tries a ...
