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Article: Catching Up With

Joe Magnarelli: On Three On Two

Read "Joe Magnarelli: On Three On Two" reviewed by Nicholas F. Mondello


Trumpeter Joe Magnarelli is and has been one of the most respected jazz players on the jazz scene for years. A native of Syracuse, New York, “Mags" has recently returned from a critically well-received European tour and has just announced release of Three On Two for Posi-Tone Records. All About Jazz: Joe, on ...

Article: Album Review

Marcello Tonolo Quartet: Crazeology

Read "Crazeology" reviewed by Luigi Sforza


Leggibilità e leggerezza sono gli elementi che contraddistinguono la musica di Crazeology, album del Marcello Tonolo Quartet, che già nella scelta grafica--ricalco delle grandi copertine anni '50--consente una lettura di stili che l'ascolto, poi, in qualche modo conferma. Si tratta sostanzialmente di un progetto in cui si riconoscono chiaramente elementi paradigmatici di origine marcatamente ...

1

Article: Album Review

Chris Lightcap's Bigmouth: Epicenter

Read "Epicenter" reviewed by Luca Canini


Ha ancora senso parlare di mainstream? Esiste un jazz che guarda al futuro riuscendo allo stesso tempo ad essere immediatamente riconoscibile e masticabile anche da chi di jazz poco, o niente, ne capisce? Domande oziose soltanto all'apparenza. Che nel loro studiato candore squarciano il velo di una dicotomia che a uno sguardo distratto può apparire insanabile: ...

18

Article: Album Review

Bruno Råberg Quartet with Phil Grenadier, Allan Chase and Austin McMahon: Hot Box

Read "Hot Box" reviewed by Karl Ackermann


Bassist Bruno Råberg and trumpeter Phil Grenadier had previously offered a brilliant duo collection with the 2012 Plunge (Orbis Music) and here--under Råberg's leadership--expand to a quartet formation for the equally imaginative Hot Box. The collection features compositions both by the Swedish born Råberg and group improvised pieces. Unlike the Råberg/Grenadier duo outing, the leader's electronic ...

11

Article: Album Review

Chris Lightcap's Bigmouth: Epicenter

Read "Epicenter" reviewed by Dave Wayne


Conceived as a continuous seven-part extended work for his band, Bigmouth, the first seven tracks on Chris Lightcap's Epicenter are as remarkable for their diversity as they are for the ways in which they're tied together. The unifying theme here is “New York: Lost and Found," and the music could indeed work as a sort of ...

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Article: Album Review

Chris Lightcap's Bigmouth: Epicenter

Read "Epicenter" reviewed by Budd Kopman


The closing track of bassist Chris Lightcap's muscular and vibrant Epicenter is a very intense and almost brutal version of Lou Reed's “All Tomorrow's Parties" from the 1967 release Velvet Underground & Nico. This tune, which is among Reed's most highly crafted works and which captures the essence of both the times and its subculture, is ...

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Article: Album Review

Chris Lightcap's Bigmouth: Epicenter

Read "Epicenter" reviewed by Mark F. Turner


"Nine South" from New York bassist Chris Lightcap's Epicenter ignites the rhythm sense with its undeniable influence from West African music. Written as part of a commissioned work granted by Chamber Music America New Jazz Works, the piece was inspired by Lightcap's routine drive into Manhattan. Propelled by contagious hooks, fiery solos, and powerful harmonies, the ...

11

Article: Album Review

Chris Lightcap's Bigmouth: Epicenter

Read "Epicenter" reviewed by Dan McClenaghan


The group is packed with some of the top stars of modern jazz, but it's with the collective and cohesive ensemble sound that bassist/composer Chris Lightcap's Bigmouth stands out. Hard-driving, electric, edgy, with a chip sitting firmly on its collective shoulders, Epicenter, Lightcap's ode to New York City, commissioned by Chamber Music America New Jazz Works, ...

11

Article: Album Review

Chris Lightcap's Bigmouth: Epicenter

Read "Epicenter" reviewed by Mark Corroto


Chris Lightcap is a bassist's bassist. As a sideman to leaders such as Regina Carter, Matt Wilson, Joe Morris, Marc Ribot, and Craig Taborn, his rock-solid timekeeping can be quite inconspicuous. He is a sort of steadfast superglue that leaders and composers hold in high regard. As a leader and composer, there is another ...

9

Article: Album Review

Yoosun Nam: Light Of the City

Read "Light Of the City" reviewed by Ian Patterson


It's a love story in essence: South Korean classical piano and vocal protégé with multiple competition wins, hears jazz in high school; picks up saxophone at nineteen and swaps university computer studies for music; then, as straight and true as Cupid's arrow, heads for Berklee College of Music; New York and a Master's degree in jazz ...


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