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Article: My Favourite Things

Francesco Beccaro e il Questionario di Proust

Read "Francesco Beccaro e il Questionario di Proust" reviewed by Paolo Peviani


Il tratto principale della mia musica Alto tasso di energia, intensa, con molta improvvisazione ma anche con strutture compositive articolate. Una sorta di inedita fusion, distante dallo stereotipo generale, caratterizzata da un suono a volte volutamente grezzo ma sempre energico e suggestivo. Ogni composizione cerca di essere un messaggio chiaro e punta a coinvolgere l'ascoltatore ...

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News: Recording

Craft Recordings Celebrates The Legacy Of Bill Evans With First-Ever Career-Spanning Collection, Everybody Still Digs Bill Evans: A Career Retrospective (1956–1980)

Craft Recordings Celebrates The Legacy Of Bill Evans  With First-Ever Career-Spanning Collection, Everybody Still Digs Bill Evans: A Career Retrospective (1956–1980)

Craft Recordings proudly honors the pioneering jazz artist Bill Evans and his enduring musical contributions, with two new titles. The first—a deluxe, five-CD box set and digital album, titled Everybody Still Digs Bill Evans: A Career Retrospective (1956–1980)—marks the first-ever career-spanning collection of music from the pianist, featuring over 60 tracks that spotlight Evans’ exceptional work ...

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Article: From the Inside Out

Lost Within Jobim, the BOOM, and You

Read "Lost Within Jobim, the BOOM, and You" reviewed by Chris M. Slawecki


Albare Plays Jobim Vol. 2 Alfi Records 2021 “I was 14 when I first heard the music of Tom Jobim," recalls Albare, nom de guerre of guitarist Albert Dadon. “I already had six years of guitar learning under my belt. When I first heard those bossa ...

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Article: Album Review

Carlos Vega: Art of the Messenger

Read "Art of the Messenger" reviewed by Jack Bowers


In case you didn't quite catch the “message" subtly embedded in the title of Chicago-based tenor saxophonist Carlos Vega's new recording, Art of the Messenger, here is a brief reminder that it was drummer Art Blakey who formed the Jazz Messengers in the mid-1950s and led the celebrated hard-bop ensemble until his death in 1990. The ...

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Article: Hardly Strictly Jazz

Marty Sheller: The Name Behind The Sound You All Know, Part 1

Read "Marty Sheller: The Name Behind The Sound You All Know, Part 1" reviewed by Skip Heller


There are certain musicians who embody eras, even if they're not the player with their picture on the cover. In our contemporary musical climate, Greg Leisz comes to mind. Since 1991, he has popped up on hundreds of acclaimed albums, and without ever really changing his style, he has become centrifugal beyond the considerations of genre ...

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Article: Radio & Podcasts

John McLaughlin, Gary Willis, Tribal Tech, David Binney, Tom Coster

Read "John McLaughlin, Gary Willis, Tribal Tech, David Binney, Tom Coster" reviewed by Len Davis


Today a fusion fest with some of the finest releases over the last 30 years John McLaughlin, Chick Corea, Niacin, David Binney and much more.Playlist Niacin “Prelude & Funky Opus" from Krush (Prosthetic) 00:00 John McLaughlin"Mr DC" from The Heart Of Things (Verve) 07:24 Chick Corea “El Stephen Parts 1&2" from The Ultimate Adventure ...

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Article: Album Review

Francois Bourassa: L'Impact du Silence

Read "L'Impact du Silence" reviewed by Dan McClenaghan


Solo piano outings often serve as a baring of the artist's soul. Montreal-based pianist Francois Bourassa does just that on his tenth album, L'impact du Silence. Influenced by the piano artistry of Chick Corea, Brad Mehldau and Bill Evans, Bourassa has concentrated on small ensemble work—trios and quartets—on his previous recordings. Bringing his classical music influences ...

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Article: Interview

Samara Joy: Ascension Into Jazz

Read "Samara Joy: Ascension Into Jazz" reviewed by R.J. DeLuke


When Samara Joy performs, she takes her place, stands confidently and sings. Immediately the strength and richness of her voice—which is natural—grabs the attention of the listener. There are no gyrations. It's refreshing that a young artist doesn't see the need for unnecessary vocal gymnastics. Too often, those can miss the mark. Her style ...

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Article: Interview

Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word

Read "Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word" reviewed by Rob Garratt


It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...

Article: Album Review

Amina Figarova: Persistence

Read "Persistence" reviewed by Maurizio Zerbo


Il pregio della varietà sostanzia la cifra artistica della pianista Amina Figarova, non circoscritta entro i soli confini del jazz. Dopo il progetto orchestrale del penultimo CD, la musicista azera residente a New York apre la finestra del suo etereo pensiero compositivo verso i territori della fusion, del funk, del rap. Da queste premesse discende un ...


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