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Article: Album Review

Jared Gold: Intuition

Read "Intuition" reviewed by Dan Bilawsky


Intuition is organist Jared Gold's sixth outing for the Posi-Tone label in as many years. He walks a similar path on all of his prior dates for this imprint, extending the organ group tradition(s) while fronting trios and quartets and working his way through catchy originals and diverse covers, but no two albums are really the ...

4

Article: Extended Analysis

Marbin: Last Chapter of Dreaming

Read "Marbin: Last Chapter of Dreaming" reviewed by Dave Wayne


Back in the 1970s, fusion used to mean one thing; the melding of jazz improvisation and chord structures with the stylistic eclecticism and pure energy of progressive rock. As a recognizable formula emerged, it became common to hear the exotic strains of various ethnic musics in a jazz-rock fusion context. By the late '70s, its emphasis ...

6

Article: Bailey's Bundles

John O'Gallagher and Jeff Williams: In a Whirlwind

Read "John O'Gallagher and Jeff Williams: In a Whirlwind" reviewed by C. Michael Bailey


Here's to avant-garde jazz. Unruly and ill-behaved, the seeds planted by saxophonists Ornette Coleman and John Coltrane, and carried forward by reed multi-instrumentalist Anthony Braxton and melded with trumpeter Miles Davis' post bop, gave rise to a brand of jazz that, while not the complete chaos of free jazz, nevertheless possessed such an inventive spirit that ...

2

Article: Album Review

Lars Andreas Haug Band: Conrairo

Read "Conrairo" reviewed by Eyal Hareuveni


The new generation of Norwegian tuba players keep challenging this under-rated instrument. Two years ago it was the trio of Martin Taxt, Kristoffer Lo and Robin Hayward who investigated the timbre characteristics of the tuba on microtub (Sofa Music, 2011) and last year Lo explored the tuba as a sound source for dark and intense soundscapes ...

4

Article: We Travel the Spaceways

Art Strike!

Read "Art Strike!" reviewed by Mark Corroto


"Would you support an art strike?" That's the question I've been asking musicians for the past few months. “Will you agree to stop writing and performing music for one year?" In 1990 the London artists Stewart Home and Mark Pawson proposed that all artists cease to “make, exhibit, distribute, sell, or discuss their work" for three ...

13

Article: Interview

Yuhan Su: Good Vibes

Read "Yuhan Su: Good Vibes" reviewed by Ian Patterson


Everybody loves the romance of a comeback: the phoenix-like rise from adversity, long-term exile, obscurity or defeat. Think of US President Abraham Lincoln's travails, boxer George Foreman's regaining the World Heavyweight title at the age of 45, actor Sean Connery's return as Bond, David Bowie's eternal reinvention or, indeed, the peculiar cycles of fashion that have ...

2

Article: Take Five With...

Take Five With Mike Davis

Read "Take Five With Mike Davis" reviewed by AAJ Staff


Meet Mike Davis:Mike Davis has lived several distinct musical lives. He has been a student, a serious student of performance and of theory and of composition and of art. He has been a gig warrior, playing multiple shows in multiple styles on different instruments at different venues with different bands on the same day ...

4

Article: Extended Analysis

Edward Simon Trio: Live in New York at Jazz Standard

Read "Edward Simon Trio: Live in New York at Jazz Standard" reviewed by John Kelman


Some artists maintain a busy release schedule, putting out an album a year--sometimes, in the case of musicians like guitarist Bill Frisell, even more frequently--while others, for a variety of reasons, are less prolific. Pianist Edward Simon has, in recent years, been issuing albums with broader distribution under his own name--which automatically discounts 2010's independently released ...

2

Article: Take Five With...

Take Five With Felix Langford

Read "Take Five With Felix Langford" reviewed by AAJ Staff


Meet Felix Langford:At 13, I fell in love with the art of percussion and I credit my brother, John (Doc), as the one responsible for teaching me basic beats and exposing my ears to some of the hippest and most innovative cats on the jazz scene. He exposed me to trendsetters like John Coltrane, ...

6

Article: Extended Analysis

Moster!: Edvard Lygre Moster

Read "Moster!: Edvard Lygre Moster" reviewed by John Kelman


He may be flying somewhat beneath the radar internationally, but in Norway, saxophonist Kjetil Møster has a vibrant career that ranges from the acoustic post-John Coltrane group The Core--whose Office Essentials (Jazzland, 2008) made clear that the American tradition is a touchstone, at least to some, in the country's distinctive jazz scene--to ongoing work with the ...


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