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Hiromi: Alive
by Jeff Winbush
If jazz has become a niche market in the music industry (and it is), a contributing factor for its slide into cultural irrelevance is a failure to promote and support new artists. No matter what sub-genre of jazz you personally love, across the board there is no sustained effort to develop a roster of first-tier talent ...
Oz Noy: The Twisted Wizardry Of Oz
by Ian Patterson
Any blues played by Oz Noy would have to be a little twisted. Drawing on influences ranging from the classic jazz guitarists of yesteryear to the trailblazers of more recent vintage, Noy's instantly recognizable voice is also heavily influenced by blues and heavy metal guitarists. Two and a half years have passed since Twisted ...
Chick Corea Trio: Trilogy
by John Kelman
Remember when CDs were so expensive to make that record companies would release double albums and remove a track or two, just so that it could fit on a single CD? Well, there may be many negatives about the state of the music industry today---despite this being a time when so much music is being made ...
Paul "The Headhunter" Jackson Is Back Big With New Album "Groove Or Die" on November 3
“This is the first recording of the Paul Jackson Trio; it is something old and something new, and everything that I love to play. I’m playing with excellent musicians that are like my family and I hope everyone can enjoy this music as much as I do playing it. Love to you all!” —Paul Jackson Whirlwind ...
Marius Neset/Trondheim Jazz Orchestra: Lion
by Ian Patterson
Lion is a good name for Marius Neset's first recording with the Trondheim Jazz Orchestra, for like a great cat, the Norwegian orchestra purrs and prowls, roars and pounces. Regardless of tempo--whether cruising or charging--there's majesty in the collective voice. Commissioned for the Molde Jazz Festival in 2012, the momentum from that performance took Neset and ...
Take Five With Ana Velinova
by AAJ Staff
Meet Ana Velinova: Jazz vocalist and songwriter Ana Velinova has inspired audiences around the world with her wide range arstistic talents. With repertoire extending from Mozart and Stravinsky to Ellington, Dorsey and Jobim, Ana has shared the stage with many accomplished jazz artists including Bob Moses, Neil Swainson, Don Thompson, Brad Turner, Willard Dyson and ...
Stefano Bollani: Joy in Spite of Everything
by Ian Patterson
Like a kind of musical contortionist, Stefano Bollani keeps repositioning himself with eye-popping ease. The diversity and eclecticism of Bollani's projects are reflected in the sweeping breadth of his vocabulary; his output as leader on ECM alone, since his debut Piano Solo (ECM, 2006), is indicative of his adventurous spirit. That solo outing was followed by ...
The Swallow-Talmor-Nussbaum Trio at the Douglas Beach House
by Bill Leikam
Swallow-Talmor-Nussbaum TrioDouglas Beach House Bach Dancing & Dynamite Society Half Moon Bay, California August 10, 2014 A rare U.S. performance by the highly sophisticated and seasoned jazz trio of Steve Swallow, electric bass; Ohad Talmor, tenor saxophone; and Adam Nussbaum on drums, set the stage for a two-set performance. Before ...
Interview: Alex Mercado
Q: Did you receive any formal training as a pianist? Who taught you? A: I began studying classical music at age 13 with Jose Luis Arcaraz, a classical piano teacher who took me under his wing after discovering I had a special talent and predisposition for music. Through him I got thoroughly introduced to piano technique, ...
Oz Noy: Twisted Blues Volume 2
by Ian Patterson
Two and a half years on from Twisted Blues Volume 1, guitar ace Oz Noy returns with another incendiary serving of jazz-inflected blues. In the intervening period Noy has hardly been idle, releasing a couple of instructional DVDs and touring regularly but his return to the recording studio with his blues bag is certainly welcome. As ...
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