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Derek Brown: Beatbox Sax
by Dan McClenaghan
One man bands are something of a novelty: some guy with a half a dozen instruments (or more)--guitar, drums, harmonica--affixed to his body in various ways. Saxophonist Derek Brown blows the one man band route with just the saxophone on Beatbox Sax. The first reaction on spinning the disc, opening with Brown's original composition, ...
Shawn Maxwell's New Tomorrow: Shawn Maxwell's New Tomorrow
by Dan McClenaghan
Chicago-based saxophonist Shawn Maxwell has produced an excellent run of straight ahead CD releases in the past decade, sets like his two self-produced discs, Originals (2006) and Originals II (2008), and Maxwell's House (Chicago Session LTD, 2010) before he changed his game up with Shawn Maxwell's Alliance (Chicago Sessions LTD, 2015), a shift away from mainstream ...
Frank Catalano, Jimmy Chamberlain, David Sanborn: Bye Bye Blackbird
by Angelo Leonardi
Frank Catalano dev'essere stufo dell'etichetta di “giovane prodigio." Alla soglia dei 40 anni con una carriera ventennale, il musicista di Chicago ha tutte le carte in regola per essere considerato un esponente di punta tra i sassofonisti Rhythm & Blues, i cosiddetti honkers. Ha esordito a 17 anni con l'organista Charles Earland, l'anno seguente era già ...
"Jim Marshall: Jazz Festival" Now Available from Reel Art Press
Published by Reel Art Press Edited by Amelia Davis, Tony Nourmand. Introduction by Nat Hentoff. Foreword by President Bill Clinton. Designed by Graham Marsh. From Thelonius Monk to John Coltrane, Miles Davis to Nina Simone, Jim Marshall's defining photographs of the 1960s jazz scene Jim Marshall is known ...
Dustin Laurenzi: Natural Language
by Mark Corroto
The first thing you notice about saxophonist Dustin Laurenzi is that he is an old soul. Not that he's old, he and bandmates guitarist Jeff Swanson, bassist Mike Harmon, and drummer Charles Rumback, are the next generation in Chicago's creative jazz tradition. It's his music that fits within the definition of old soul. It is comfortably ...
Jeremy Cunningham Quartet: re: dawn (from far)
by Jakob Baekgaard
Since he moved to Chicago in 2009, Jeremy Cunningham has been a vital addition to the jazz environment and his debut as a leader, re: dawn (from far) , shows an assured musician and composer who effortlessly taps into the great musical tradition of the city. Cunningham has teamed up with one of ...
Tula's Jazz Club: A Seattle Tradition in the Making
by Paul Rauch
Life in the Pacific Northwest is hauntingly similar to jazz music itself, from that which is inward, deep in the recesses of our collective soul, to the outward expressionism as a ray of sunlight, an exaltation of joy, harmony expressed in the deep, deep blue of sentient life, and of our enlightened sky. High notes expressed ...
Meet Don Shire
by Tessa Souter and Andrea Wolper
Don Shire's club-hopping habit started in Pittsburgh, but his introduction to the capital of jazz was a 1971 Freddie Hubbard gig at New York jazz institution, the Village Vanguard. And he's still going strong 45 years later. One concert particularly stands out. “When it was over, the people just looked at each other. The feeling was, ...
Dustin Laurenzi: Natural Language
by Hrayr Attarian
With his sonorous tone and his watershed style, tenor saxophonist Dustin Laurenzi is one of the most promising emergent talents on the Chicago scene. With his various ensembles, in a few short years, he has recorded handful of uniformly exciting sessions. Their trademark is their foothold in the jazz tradition while simultaneously flirting with a freer ...
Jason Roebke Octet: Cinema Spiral
by Mark Corroto
If entropy is a scientific theory that describes how all things in nature tend towards a gradual decline and disorder, then Jason Roebke's Octet is the anti-entropy. His second octet release Cinema Spiral and the previous High/Red/Center (Delmark, 2014) make order out of the impression of chaos. Such is the enticement of jazz.
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