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Good Vibes, Bad Vibes: Jazz in Film
by Douglas Groothuis
Several films about jazz depict troubled and vice-ridden musicians, such as Charlie Parker, in Bird, and Chet Baker, in Born to be Blue. I walked out of the latter after twenty minutes of excessive obscenity, graphic vice, and general disgust. These films reinforce the idea that jazz is associated with illegal activities, illicit sex, and generally ...
Ella Fitzgerald: Just One Of Those Things
by Ian Patterson
Just One Of Those Things Ella Fitzgerald Eagle Rock90 minutes 2019 In the public mind, Ella Fitzgerald was unarguably one of the great jazz figures of the twentieth century. She mightn't be fetishized the way Billie Holiday, Miles Davis, John Coltrane or Chet Baker have been--there wasn't quite ...
Arturo Sandoval, Bill Evans, Bobby Watson & More
by Joe Dimino
With a rising star in the world of jazz, we begin episode 596. Miami-based 13-year old piano prodigy Brandon Goldberg does the honors with a cut from his debut CD Let's Play. From there, we probe into his influences with some cuts from Herbie Hancock and Bill Evans. We look into the world and magic of ...
Chet Baker I'll Remember April, Zoot Sims Over the Rainbow, and Lorez Alexandria This Could Be the Start of Something Big
by Mark Barnett
Choice Cuts is an offshoot of Getting Into Jazz. Your butcher notwithstanding, we're defining a “Choice Cut" as an outstanding track from an otherwise unremarkable CD (or vinyl record); a track so good it justifies adding the disc to your collection. Here are a trio to start with... Chet Baker, “I'll Remember April" (From ...
Alex Delcourt: To My Brothers
by Victor L. Schermer
This album by bassist Alex Delcourt is a treasure of a recording, a contemporary mirror of the hard bop movement of the past. It's as if that music awakened from its sleep years later and is as fresh today as it was then. Except for seasoned valve trombonist and trumpeter John Swana, the personnel consists of ...
Polly Gibbons: All I Can Do
by Angelo Leonardi
È sufficiente ascoltare qualche brano dell'inglese Polly Gibbons per lasciarsi prendere dal suo esuberante feeling. Niente a che vedere con le molte vocalist che hanno invaso la scena con una mediocre e plastificata sintesi di pop, jazz e soul. La giovane scoperta dal produttore Ian Shaw è qualcosa di speciale. Il suo timbro è profondo, la ...
Jeff Williams: Bloom
by Roger Farbey
In a new departure, Jeff Williams has forsaken the quartet, quintet or sextet configurations of his previous four albums for Whirlwind in favour of this very convincing trio format. In tandem with this slimmed-down enterprise, he's employed a pianist and composer who is undoubtedly a rising star of jazz. Carmen Staaf graduated with a joint degree ...
Catherine Farhi: Finding Home in the New Morning
by Alexander Durie
What do an iconic Paris jazz club, the Arabic language and the Egyptian Surrealist movement have in common? The answer sat in a Montmartre flat in the heights of Paris, surrounded by plants and books and wearing a long royal blue spring dress. Catherine Farhi is all these things at once, and more.
Invisible Man: Willis Conover and The Jazz Hour
by Karl Ackermann
Willis Conover stood with a cordoned off pool of reporters and photographers, being kept at arms-length from celebrities and dignitaries on the White House lawn. There was no table assigned to him at Bill Clinton's 1993 celebration of the fortieth anniversary of the Newport Jazz Festival though Conover had been involved with George Wein's project from ...
Craig Fraedrich Tony Nalker: Alone Together
by Nicholas F. Mondello
An involved listening to this oxymoron-titled album could easily have one thinking that trumpeter Craig Fraedrich and pianist Tony Nalker probably could have been categorized by Audobon as “birds of a musical feather." That's not a surprise since both spent decades in the elite U.S. Army Blues Jazz Ensemble and they've worked together on Fraedrich's previous ...
