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Lorne Lofsky: This Song Is New
by Jack Bowers
Over the years the guitar has earned a unique position in the annals of jazz. At times strident, ear-splitting and generally distasteful, at others one of the loveliest, most amiable and pleasing instruments in any circumstance, especially when placed in the capable hands of a master such as Canada's Lorne Lofsky. This is the guitar as ...
Luigi Bozzolan: Nella direzione di Luca Flores
by Paolo Marra
Il libro Luca FloresUomo, Musicista, Artista (Casa Editoriale Terre Sommerse) di Luigi Bozzolan ritrae in maniera appassionata una delle figure più significative, ma dall'altra parte meno approfondite dal punto di vista musicale, del jazz italiano. Il racconto arricchito da argute analisi di brani, testimonianze di amici, colleghi e familiari, materiale fotografico, appunti inediti, disegni e poesie ...
Take Five with Zvonimir Tot
by AAJ Staff
Musician Zvonimir Tot: Zvonimir Tot (z-VON-e-mere TOTE) is a Chicago-based jazz guitarist, composer and arranger with a style deeply rooted in the jazz tradition but flavored by his European origin. Tot has performed in the United States, Belgium, Croatia, Germany, Hungary, Macedonia, Mexico, the Netherlands, Portugal, Romania, Serbia, South Africa, and Spain. He has performed and/or ...
John Stowell / Dan Dean: Rain Painting
by Dan McClenaghan
Guitarist John Stowell has spent two decades recording for Seattle's Origin records, collaborating with artists such as saxophonists Dave Liebman and Michael Zilber, drummer John Bishop, bassist Jeff Johnson and guitarist Ulf Bandgren. His work with the band Sceneswith Bishop and Johnson, and (twice) saxophonist Rick Mandyckis particularly noteworthy. Bassist Dan Deanwith a sparser discography than ...
See Through 4: Permanent Moving Parts
by Chris May
Composer and bassist Pete Johnston, leader of Toronto's See Through 4, cites Lennie Tristano and Eric Dolphy as primary reference points for the quartet's music. As a listener, you may feel such connections are tenuous. Whatever his strengths, Tristano was not known for playfulness, a quality which runs through Permament Moving Parts. Plus, the contrapuntalism to ...
Meroli: Notturni
by Chris May
Jazz has a great track record when it comes to film scores. Standouts include Miles Davis' soundtrack for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959) and Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962). There are dozens more, particularly from the 1950s and 1960s, before rock became the ...
New Book Teaches Newcomers How To Listen To Jazz
“Lots of people want to listen to jazz, but they don’t know where to start,” says Mark Barnett, author of Getting Into Jazz, a new book from Canoe Tree Press that offers lively tips on how to listen, along with step-by-step guides through some classic jazz CDs featuring such artists as Louis Armstrong, Stan Getz and ...
Nicola Conte: Good Juju From Italy’s Spiritual Jazz Shaman
by Chris May
Ever since his debut album, the acid-jazz masterpiece Jet Sounds (Schema), in 2000, the producer, composer, DJ and guitarist Nicola Conte has kept the jazz world guessing by constantly moving the goal posts. The trumpeter Miles Davis famously said, I always gotta change. It's like a curse." But with Conte, it feels more like a blessing, ...
Archival Finds: Dave Brubeck, Bill Evans and Chet Baker
by Jerome Wilson
Here are three releases of newly discovered material by iconic jazz musicians from the '50s and '60s. Two fall in line with the leaders' established legacies while the third presents its subject in surprising company. The Dave Brubeck Quartet Time OutTakes Brubeck Editions 2020 This CD consists ...
Hal Galper Quintet: Live At The Berlin Philharmonic 1977
by Dan McClenaghan
It must be gratifying to accomplish everything you set out to do. Pianist Hal Galper says he has done just that. And, after a career that included work with trumpeter Chet Baker and saxophonists Cannonball Adderley and Stan Getz, along with a ten year stint in saxophonist Phil Woods' band (1980-1990), followed by ten years of ...






