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The Booking Agent: Matt Fripp of Jazzfuel
by B.D. Lenz
So many jazz musicians often face the same cruel task: doing their own booking. It can be a frustrating and discouraging endeavor, but it's necessary to maintain a career. I've had a lot of experience with it and discuss the basics in my column, Mind Your Business: Booking 101, but it's important to get advice from ...
The Club Booker: Albert Dadon of Bird's Basement
by B.D. Lenz
For this column I was given the great opportunity to interview Albert Dadon who's an accomplished man both inside and outside of the music world. Albert is not just a club owner/booker, he's a musician and can understand both sides of the booking relationship that can sometimes be at odds with each other. With very high ...
The Radio Promoter: David Avery of Powderfinger Promotions
by B.D. Lenz
In the second edition of Chats with Cats I spoke with a radio promoter. I've actually used David Avery's services in promoting a few of my own recordings. Each time I embarked on a radio campaign I was reminded how much work it is and how detail oriented it can be considering the number of radio ...
The Publicist: Scott Thompson
by B.D. Lenz
My previous column at All About Jazz called, Mind Your Business, covered the aspects of managing your own music career as a DIY jazz artist. Throughout that twelve-part series I covered such topics as booking, promotion, and touring. I've had to learn all of these skills on my own and figured there were artists in the ...
