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Fred Hersch and The Village Vanguard
by C. Michael Bailey
If pianist Bill Evans came after Bud Powell and Art Tatum, who came after Bill Evans? Fred Hersch did. It was from Hersch that Brad Mehldau and Ethan Iverson came as his students. Evans' language captivated jazz pianism for decades and needed evolutionary stimuli to further develop. That stimuli was provided by Hersch, who has quietly ...
Take Five With Andrea Brachfeld
by AAJ Staff
Meet Andrea Brachfeld: Flutist, composer, arranger, producer, educator, business owner, Andrea Brachfeld, is a graduate of The High School of Music and Art and the Manhattan School of Music. Study with Hubert Laws, Jimmy Heath, George Coleman and Mike Longo helped her develop her own improvisational style.Her breakthrough performance as the flutist ...
Fred Hersch Trio: Alive At The Vanguard
by Mark Corroto
Tradition is served well on this Fred Hersch Trio live recording from New York's Village Vanguard. The pianist's covers of the American songbook, like Cole Porter's “From This Moment On" and jazz classics such as Miles Davis' “Nardis" and Thelonious Monk's “Played Twice," animate and energize every moment of this club date.Hersch, whose touring ...
Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note
by Greg Simmons
At almost 85 years old Lee Konitz can play whatever he damn well pleases on his alto saxophone, and it's a good thing he does. He may currently be making some of the most interesting music of his long career. Enfants Terribles: Live at the Blue Note teams Konitz with three first-rate musicians--all jazz stars in ...
Jamming For Dollars
by Bruce Klauber
The History, Care, Feeding and Booking of the Jazz Jam Session“Fusion and the new stuff? It doesn't offend me, but a lot of the soloists sort of sound alike, like they all learned the same licks from the same school. When I was coming up in the 1940s, it seemed that every corner bar had a ...
Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note
by Mark Corroto
Super groups are, by their very nature, either bright shining stars or catastrophic exploding supernovae. Dream team basketball lineups get beat by upstarts, and the new Stallone/Schwarzenegger/Van Damme movie is sure to be a nonstarter. The reasons for the flops are usually chemistry and vision, both essential requirements.Same can be said for jazz groups. ...
Changing of the Guard: The 33rd Annual Detroit Jazz Festival
by C. Andrew Hovan
The 33rd Annual Detroit Jazz FestivalDetroit, MichiganAugust 31- September 3, 2012They don't call it the largest free jazz festival in North America for no reason. Every Labor Day weekend in Detroit, jazz fans try to wrap their brains around the diverse and generous offerings of one of the country's most successful jazz festivals, ...
What Is Jazz Now?
by Dom Minasi
Back in February, All About Jazz Managing Editor John Kelman asked me to develop a column based on points I made in the comment section of the article BAM or JAZZ: Why It Matters. I still feel the same way, but trumpeter Nicholas Payton's statement that jazz died in 1959 made me think, and I've been ...
Kevin Coelho: Funkengruven: The Joy of Driving a B3
by Hrayr Attarian
Kevin Coelho's debut, Funkengruven: The Joy of Driving a B3, is a tight trio affair that showcases the young organist's versatility as he successfully cooks his way through originals, R&B songs and fusion and bop standards. Coelho brings a religious celebratory feel to teacher Randy Master's “Take A Stand," as his Hammond B3 ...
From Charlie Christian to Charlie Parker
by Jack Bowers
It's not often one has a chance to see and hear a dozen of New Mexico's premier jazz musicians together onstage (or almost so) for a single concert, but that is what took place August 11 as an overflow audience welcomed the Charlie Christian Project and SuperSax New Mexico to the Albuquerque Museum of Art and ...
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