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189

Article: Album Review

Ben Goldberg: Go Home

Read "Go Home" reviewed by Troy Collins


From the debut of his seminal New Klezmer Trio two decades ago to his current membership in the inimitable collective Tin Hat, clarinetist Ben Goldberg has gradually worked his way from the outer fringes of the avant-garde to the accessible center of the new jazz underground. Go Home is the inaugural release of his own label, ...

135

News: Interview

Clarinetist Ben Goldberg Interviewed at AAJ

Clarinetist Ben Goldberg Interviewed at AAJ

The diversity of clarinetist Ben Goldberg's musical interests may only be matched by the intensity of his study. He grew up on The Beatles and classic jazz, started playing Klezmer music at the University of California, Berkeley in the early '80s, and studied with renowned classical clarinet teacher Rossario Mazzeo. In 1984, he became the clarinetist ...

1,148

Article: Interview

Ben Goldberg: Clarinet Communion

Read "Ben Goldberg: Clarinet Communion" reviewed by Warren Allen


The diversity of clarinetist Ben Goldberg's musical interests may only be matched by the intensity of his study. He grew up on The Beatles and classic jazz, started playing Klezmer music at the University of California, Berkeley in the early '80s, and studied with renowned classical clarinet teacher Rosario Mazzeo. In 1984, he became the clarinetist ...

352

Article: Album Review

3ology: With Ron Miles

Read "With Ron Miles" reviewed by Mark Corroto


This take out order of music was made from both sides of the menu from a restaurant serving up both groove and improvisation by the Colorado-based trio 3ology with guest cornetist Ron Miles. This disc is the third release for saxophonist Doug Carmichael, bassist Tim Carmichael and drummer Jon Powers, following Out Of The Depths (CMW ...

132

Article: Album Review

Ben Goldberg: Go Home

Read "Go Home" reviewed by Dan McClenaghan


This disc rocks, which is not something normally said about sets led by a clarinetist. But it doesn't begin that way. The sound of Go Home, from clarinetist/composer Ben Goldberg, croons to life with a smooth and creamy licorice stick/cornet unison interlude on “TGO," with the dark wood-wielding leader joined by brass man Ron Miles for ...

345

Article: Multiple Reviews

Ben Goldberg's Bag: Tin Hat & Go Home

Read "Ben Goldberg's Bag: Tin Hat & Go Home" reviewed by Dan Bilawsky


Ben Goldberg's music has never followed a set course or formula and the forward-thinking clarinetist always sticks to his guns when making artistic decisions. This has often resulted in positive press for his innovative work and it appears to have propelled him to take control of his own destiny. BAG Production Records is Goldberg's new, self-created ...

262

Article: Album Review

David Binney / Alan Ferber: In the Paint

Read "In the Paint" reviewed by John Kelman


With an influence felt, perhaps, as much or more in the work of others than in his own record sales, alto saxophonist David Binney rarely co-leads groups, but his longstanding collaboration with pianist Edward Simon has been fruitful in more ways than one. Sharing compositional and conceptual duties frees him to focus more on his playing, ...

83

News: Radio

JazzWeek Radio Chart: March 15, 2010

TW LW 2W Artist TW LW Move Add Rpts Peak Wks 1 22 — Jamie Cullum The Pursuit (Verve Forecast) 293 100 +193 20 53 1 2 2 1 1 Ahmad Jamal A Quiet Time (Dreyfus) 233 231 +2 0 55 1 8 3 — 43 Lionel Loueke Mwaliko (Blue Note) 180 62 +118 11 57 ...

201

News: Recording

Charlie Hunter Goes for Harder Jazz Groove

Charlie Hunter Goes for Harder Jazz Groove

As a child, jazz guitarist Charlie Hunter lived in a hippie commune and traveled the country in a hippie bus. But don't call him a hippie kid. “I wasn't a hippie kid; I was a kid with a hippie mom," says Hunter, 42. “I have absolutely zero affinity for the culture. When you're a kid growing ...

367

Article: Album Review

John Ellis & Double-Wide: Puppet Mischief

Read "Puppet Mischief" reviewed by Chris May


Brooklyn-based saxophonist John Ellis is a player who, whenever he puts his horn in his mouth, makes it seem like retro-modern is the only show in town. His style is part classic soul and funk, part modern jam band groove and part freewheeling improvisation. He has a particular affinity with New Orleans roots music and also ...


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