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Jeremy Monteiro Organ Quartet: Live Upon Nassim Hill
by Ian Patterson
Singaporean Jeremy Monteiro is primarily known as a pianist, having played with James Moody, Jimmy Cobb, Carmen Bradford, Charlie Haden and Ernie Watts, no less. But he is also a fine organist, an instrument he taught many moons ago. Monteiro returned to those roots with the trio Organamix, whose energy was captured on the live Kuala ...
Hamilton de Holanda & Gonzalo Rubalcaba: Collab
by Katchie Cartwright
Collab, the duo album from Cuban jazz pianist Gonzalo Rubalcaba and Brazilian choro mandolinist Hamilton de Holanda, is a sparkling collaboration between two contemporary masters of rhythm and improvisation. On the wings of a finely calibrated beat and a pliable form, they present 11 selections, adding new harmonic hues to the familiar, stretching, fracturing and reconstituting ...
Jake Noble: Letting Go Of A Dream
by Dan McClenaghan
Making art is about a search for authenticity, a search for the truth. But the truth is complicated, and our perceptions of it can change over time. The concept for Letting Go Of A Dream, the debut recording from New Orleans-based bassist Jake Noble, began as a tribute to some of his well-chosen truth-telling heroes: pianist ...
Frank Ambrosetti & Strings: Sweet Caress
by Dan McClenaghan
Swiss flugelhornist/trumpeter Franco Ambrosetti teamed with pianist/arranger Alan Broadbent in 2022 for the exquisite Nora (Enja Records), a top-shelf orchestral jazz album with a core group of mainstream all-stars. Listening back to the history of the 'jazz with strings' sub-genre--the shot across the bow, Charlie Parker With Strings (Verve, 1950), followed in short order by Chet ...
Ornette Coleman: Free Jazz To Ornette! Revisited
by John Eyles
For ezz-thetics' revisited series' fourth Ornette Coleman album, the label has ventured back further than any of its previous Coleman albums, to New York City in December 1960 and January 1961. Recorded at A&R Studios on Wednesday December 21st 1960 from 8pm to 12.30am, the Free Jazz session produced two pieces, the thirty-seven minute “Free Jazz" ...
Josh Lawrence: Measured Response
by David A. Orthmann
Art Hirahara's brief, cryptic solo piano intro to “Where Do We Go?," the opening track of trumpeter/flugelhornist Josh Lawrence's album, offers little indication of what immediately follows: Lawrence's warm-toned, delectable horn surrounded by relaxed, straightforward, middling-tempo swing courtesy of bassist Luques Curtis and drummer Rudy Royston. This intriguing transition sets the stage for a recording that ...
Pat Metheny: MoonDial
by Chris May
Pat Metheny was first encountered in this parish in the autumn of 1982, promoting Offramp (ECM), released earlier in the year. He was making a London stopover on the tour which produced the live album Travels (ECM, 1983). Interviewed at Kensington's Royal Garden Hotel, where his well-worn denim stood him out from the generally snooty clientele, ...
Matt Wilson: Good Trouble
by Jerome Wilson
Drummer Matt Wilson continues his tradition of recording humorous and humanistic jazz here with the debut of a new quintet, Good Trouble, which includes both old and new associates. This group has a two-saxophone front line with Wilson's long-time colleague, Jeff Lederer on tenor sax, and Tia Fuller on alto sax. They complement each ...
Take Five with Evgeny Lebedev of LRK Trio
by AAJ Staff
Meet Evgeny Lebedev of LRK Trio Billboard award winner and laureate of numerous jazz contests, Evgeny Lebedev has quickly established himself as one of the brightest jazz musicians of his generation. A graduate of the Berklee College of Music in Boston he is a winner of the international jazz competition in Belgium, prize-winner of the Bösendorfer ...
Angles + Elle-Kari With Strings: The Death Of Kalypso
by Chris May
As a genre, jazz-opera is thinly populated. The recorded archive is marked more by quality than quantity, with albums by Mike Westbrook and Kate Westbrook, Carla Bley and Charlie Haden to the fore. But the best ever jazz-opera, in this parish anyway, predates anything by these musicians. Composer Todd Matshikiza and lyricist Pat Williams' King Kong ...
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