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14

Article: Extended Analysis

Paul Motian: Paul Motian (Old & New Masters Edition)

Read "Paul Motian: Paul Motian (Old & New Masters Edition)" reviewed by John Kelman


In a time when leadership roles are being thrust increasingly upon young musicians who may have the chops, the technique and the theory, but not the experience, drummer Paul Motian could be considered a lesson in patience, in waiting for the right time, in holding off for the precise moment of readiness.It's not that ...

12

Article: Extended Analysis

Craig Taborn: Chants

Read "Craig Taborn: Chants" reviewed by John Kelman


While he's been making himself a ubiquitous presence on the jazz scene for the past two decades--playing with everyone from saxophonists Tim Berne, David Binney and Chris Potter (on the equally stellar The Sublime And (Thirsty Ear, 2003), Graylen Epicenter (Mythology, 2011) and The Sirens (ECM, 2013), respectively), to bassists Michael Formanek and Scott Colley (whose ...

5

Article: Album Review

Seung-Hee: Sketches on the Sky

Read "Sketches on the Sky" reviewed by Mark F. Turner


Brooklyn-based jazz vocalist Seung-Hee possesses the composure of a seasoned chanteuse while demonstrating broader qualities that contain refined arranging skills, classical training, and multilingual singing. The South Korean native represents a soulfully empathetic performer and a composer who's not afraid to take chances as witnessed in Sketches on the Sky, the follow up to 2009's memorable ...

9

Article: Live Review

Vossa Jazz 2013

Read "Vossa Jazz 2013" reviewed by John Kelman


Vossa JazzOslo, NorwayMarch 22-24, 2013Every festival hopes to have a signature, that certain something that differentiates it from all the rest and makes it a desired destination, but few have as many things going for it as the annual Vossa Jazz Festival, now in its 40th year. It certainly may seem ...

4

Article: Album Review

Michael Blanco: No Time Like The Present

Read "No Time Like The Present" reviewed by Edward Blanco


A talented in-demand Broadway/jazz bassist, Michael Blanco's No Time Like The Present announces his second album as leader presenting a collection of refreshing new jazz originals offered by a dynamic quintet that features veteran saxophonist John Ellis and New York guitarist Jonathan Kreisberg among the cast. The two-time recipient of the ASCAP Foundation Young Jazz Composer ...

6

Article: Album Review

Fire! Orchestra: Exit!

Read "Exit!" reviewed by John Kelman


Sometimes it's best not to predict. If the idea of expanding Fire!'s core trio of saxophonist/electric pianist Mats Gustafsson, bassist Johan Berthling and drummer Andreas Werlin into Fire! Orchestra's massive, 28-piece behemoth was based on the trio's extant discography-- You Liked Me Five Minutes Ago (Rune Grammofon, 2009), Unreleased (Rune Grammofon, 2011), and In the Mouth ...

7

Article: Interview

Sara Serpa: A Musical Journey

Read "Sara Serpa: A Musical Journey" reviewed by Hrayr Attarian


Vocalist and composer Sara Serpa is one of the most original and innovative musicians to emerge since the turn of the century. She has already made an indelible mark on the modern music scene in the span of a mere four years. Her unique style of vocalese allows her to utilize the full range of her ...

17

Article: Extended Analysis

Special Edition

Read "Special Edition" reviewed by John Kelman


With drummer/keyboardist Jack DeJohnette entering his eighth decade on planet earth, he's managed to accomplish what few other drummers have. Recipient of the 2012 NEA Jazz Masters Award, there are few jazz drummer s alive today who can cite as many recordings as the Chicago-born DeJohnette can, nor are there many who have been on such ...

2

Article: Take Five With...

Take Five With Dmitri Matheny

Read "Take Five With Dmitri Matheny" reviewed by AAJ Staff


Meet Dmitri Matheny: Celebrated for his warm tone, soaring lyricism and masterful technique, Dmitri Matheny has been lauded as “the first breakthrough flugelhornist since Chuck Mangione" (San Jose Mercury News). An honors graduate of Interlochen Arts Academy and Berklee College of Music, Matheny was first introduced to jazz audiences in the 1990s as the protégé of ...

6

Article: Year in Review

2012: The Year in Jazz

Read "2012: The Year in Jazz" reviewed by Ken Franckling


The world of jazz officially went global in 2012, kicked the Grammy Awards in the shins, dealt with economic issues and Mother Nature, and found new ways to innovate in this social media and Internet-savvy age. There were ups and there were downs for both longstanding clubs and festivals, too. Here's a look at ...


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