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Article: Album Review

Gareth Bane - Pat Belliveau - Keith O'Rourke: Baritone Madness

Read "Baritone Madness" reviewed by Jack Bowers

by Jack Bowers

Like America's earlier Three Baritone Saxophone Band (Gary Smulyan, Ronnie Cuber, the late Nick Brignola), Canada's Baritone Madness teams three baritone saxophonists (Keith O'Rourke, Pat Belliveau, Gareth Bane) with bass and drums (no piano) for an engaging program which is centered mainly in the lower register but earns high marks for resourcefulness and enthusiasm.


About The Wrong Object

Results for pages tagged "Charles Mingus"...

Musician

The Wrong Object

Blending psychedelic jazz with modern rock sensibilities, the music of the Wrong Object is influenced by a vast array of artists ranging from Canterbury Scene prog rock à la Soft Machine and Gong to Béla Bartok, Aka Moon, Charlie Mingus and Frank Zappa. While their repertoire contains mainly original compositions, they also play a special set of Zappa covers on demand. Since its creation in early 2002, The Wrong Object has played some forty gigs in various venues ranging from small pubs to big festivals. Some of them were augmented by guest performances by the likes of Ed Mann, Elton Dean, Harry Beckett, Marc Mangen, Domguè, Marco Maurizi, Nicolas Ankoudinoff, Clementine Gasser, Frogg Café, Jaap Blonk, and pataphysician-poet-vocalist Andrew Norris, whose work with the band culminated in a show held at the Galerie 2016 in Brussels on the occasion of Serge Vandercam's 79th birthday. After a successful mini-tour of the UK, they performed at the 2004 “Zappanale” festival where they played a special gig featuring Zappa's legendary percussionist Ed Mann, with whom they also hope to play a few more dates soon

3

Article: Album Review

Chelsea McBride's Socialist Night School: Aftermath

Read "Aftermath" reviewed by Jack Bowers

by Jack Bowers

Aftermath is the second album by composer / arranger / tenor saxophonist Chelsea McBride's Toronto-based Socialist Night School. It's a bright-eyed ensemble, comprised for the most part of young musicians who are fully on board with McBride's contemporary approach to big-band jazz (think Muhal Richard Abrams, Julius Hemphill, Darcy James Argue or Charles Mingus with a ...

3

Article: Album Review

Matt Ulery: Delicate Charms

Read "Delicate Charms" reviewed by Mike Jurkovic

by Mike Jurkovic

Coming on the heels of 2019's outstanding trio outing Wonderment (Woolgathering Records) with violinist Zach Brock and drummer John Deitemyer, Delicate Charms is a four and a half star recording if ever one was. And it begins with a classical air, an almost chambered hush into which rush those last minute arrivals, each their own player ...

60

Article: Radio & Podcasts

Wayne, Newk, 21st Century Tunes & A Vault Dive

Read "Wayne, Newk, 21st Century Tunes & A Vault Dive" reviewed by Marc Cohn

by Marc Cohn

Our 2 features this week: quartet tracks from Wayne Shorter's Emanon (the Downbeat Magazine's Critics and Readers Poll best album of the year) and Sonny Rollins' monumental Saxophone Colossus. We've got 21st century music from four bass players and two Chicago trumpeters. And, of course, a waltz through the vaults with Fletcher Henderson, Bessie Smith, Charles ...

3

Article: Album Review

Big Lazy: Dear Trouble

Read "Dear Trouble" reviewed by Jerome Wilson

by Jerome Wilson

The trio Big Lazy plays a frisky type of instrumental music which draws on jazz, surf rock, country and other genres. In the tradition of versatile guitarists like Danny Gatton and Duane Eddy, Stephen Ulrich's lean, twanging sound creates a sonic landscape full of dusty highways and shadowy streets. He billows, trembles and chugs through leisurely ...

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Article: Interview

Aki Takase: In The River's Flow

Read "Aki Takase:  In The River's Flow" reviewed by Ian Patterson

by Ian Patterson

After forty plus years of recording and touring Aki Takase could be forgiven for easing up a little, for pulling back on the reins. Instead, the Japanese pianist/composer's creative fire is burning as strongly as ever. Since turning seventy in 2018, Takase has released five albums--four in 2019 alone. This output of creative energy showcases the ...

11

Article: Album Review

Ezra Weiss Big Band: We Limit Not The Truth of God

Read "We Limit Not The Truth of God" reviewed by Jerome Wilson

by Jerome Wilson

In 2015 Ezra Weiss began to compose a suite that he intended would be a cautiously optimistic message to his young children about the world they were living in and the challenges and promise they would face as they grew up. By the time this music was completed and recorded in December 2018, its mood and ...

47

Article: Interview

Aaron Parks: Finding the Way to Little Big

Read "Aaron Parks: Finding the Way to Little Big" reviewed by Jiaowei Hu

by Jiaowei Hu

"Always beginning. Often perplexed. Drawn to beauty and to the absurd. I play piano, write songs, and take pictures of doors with my phone. A bit odd." So is the pianist's own account on his website, written in a few scribbled sentences. About a decade ago, Aaron Parks created much of a stir through his debut ...

3

Article: Album Review

Eric Hofbauer and Dylan Jack: Remains of Echoes

Read "Remains of Echoes" reviewed by Troy Dostert

by Troy Dostert

Always attuned to unusual choices that keep his listeners guessing, guitarist Eric Hofbauer knows no bounds when it comes to his repertoire. One is as likely to hear a Cyndi Lauper or Nirvana cover as something by Thelonious Monk or Charlie Parker. And his stylistic approach on the guitar is similarly idiosyncratic, with a gutbucket blues ...


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