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48

Article: Building a Jazz Library

Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums

Read "Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums" reviewed by Chris May


There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...

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Article: Building a Jazz Library

Jazz & Film: An Alternative Top 20 Soundtrack Albums

Read "Jazz & Film: An Alternative Top 20 Soundtrack Albums" reviewed by Chris May


Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...

3

Article: Radio & Podcasts

Fire Music: When Jazz Speaks Out - Part 3

Read "Fire Music: When Jazz Speaks Out - Part 3" reviewed by Ludovico Granvassu


As Martin Luther King put it in the opening address to the 1964 Berlin Jazz Festival, “Jazz speaks for life. The Blues tell the story of life's difficulties, and if you think for a moment, you will realize that they take the hardest realities of life and put them into music, only to come out with ...

26

Article: Interview

John Scofield: One For Swallow

Read "John Scofield: One For Swallow" reviewed by Ian Patterson


From time to time in his storied career John Scofield will take a look over his shoulder and re-examine some of the music that has fed into his own, personal brand of jazz. The influences are many, for no matter the context that Scofield engineers, his distinctive sound always carries something of the blues, a little ...

13

Article: Building a Jazz Library

John Scofield As A Sideman: The Best Of…

Read "John Scofield As A Sideman: The Best Of…" reviewed by Ian Patterson


John Scofield is a modern-day jazz legend, one of the most instantly recognizable voices on the guitar, and an inspiration to many. In a solo career that began in earnest in 1977, Scofield has carved out his own sound on dozens of albums, including his tribute to Steve Swallow, Swallow Tales (ECM, 2020), a trio album ...

4

Article: Album Review

Peter Hansen - Peeter Uuskyla: JULY 1, 1979

Read "JULY 1, 1979" reviewed by Mark Corroto


The year was 1979. Sid Vicious of the Sex Pistols died, so did jazz legend Charles Mingus. While punk rock was in a duel with disco, jazz as commercial music was dying the death of a thousand cuts. Miles Davis was in hiding, as jazz fusion (the disco equivalent in jazz) was forcing the retirement of ...

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Article: Building a Jazz Library

Prestige Records: An Alternative Top 20 Albums

Read "Prestige Records: An Alternative Top 20 Albums" reviewed by Chris May


Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...

8

Article: Album Review

Joe Fielder's Big Sackbut: Live In Graz

Read "Live In Graz" reviewed by Dan McClenaghan


Trombonist Joe Fielder offers up Joe Fielder's Big Sackbut--Live In Graz, the group's second recording, a follow-up to the 2012 eponymous Yellow Sound Label debut and 2013's Sackbut Stomp (Multiphonics Music). The line-up is three trombones (Ryan Keberle, Luis Bonilla and Fielder) and a tuba (Jon Sass), so it isn't hard to imagine what the sound ...

9

Article: Album Review

Kurt Rosenwinkel Trio: Angels Around

Read "Angels Around" reviewed by Mark Sullivan


Jazz guitarist Kurt Rosenwinkel's previous album Caipi (Heartcore Records, 2017) was unique in his discography. Not just original music—that was true of many of his previous records—but Brazilian influenced, and featuring his vocals. This set is a call back to the Kurt Rosenwinkel Standards Trio's Reflections (WOMMUSIC, 2009): a selection of mostly modern jazz standards, played ...

47

Article: Building a Jazz Library

Riverside Records: An Alternative Top Ten

Read "Riverside Records: An Alternative Top Ten" reviewed by Chris May


From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...


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