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Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
Jazz & Film: An Alternative Top 20 Soundtrack Albums
by Chris May
Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...
Fire Music: When Jazz Speaks Out - Part 3
by Ludovico Granvassu
As Martin Luther King put it in the opening address to the 1964 Berlin Jazz Festival, Jazz speaks for life. The Blues tell the story of life's difficulties, and if you think for a moment, you will realize that they take the hardest realities of life and put them into music, only to come out with ...
John Scofield: One For Swallow
by Ian Patterson
From time to time in his storied career John Scofield will take a look over his shoulder and re-examine some of the music that has fed into his own, personal brand of jazz. The influences are many, for no matter the context that Scofield engineers, his distinctive sound always carries something of the blues, a little ...
John Scofield As A Sideman: The Best Of…
by Ian Patterson
John Scofield is a modern-day jazz legend, one of the most instantly recognizable voices on the guitar, and an inspiration to many. In a solo career that began in earnest in 1977, Scofield has carved out his own sound on dozens of albums, including his tribute to Steve Swallow, Swallow Tales (ECM, 2020), a trio album ...
Peter Hansen - Peeter Uuskyla: JULY 1, 1979
by Mark Corroto
The year was 1979. Sid Vicious of the Sex Pistols died, so did jazz legend Charles Mingus. While punk rock was in a duel with disco, jazz as commercial music was dying the death of a thousand cuts. Miles Davis was in hiding, as jazz fusion (the disco equivalent in jazz) was forcing the retirement of ...
Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
Joe Fielder's Big Sackbut: Live In Graz
by Dan McClenaghan
Trombonist Joe Fielder offers up Joe Fielder's Big Sackbut--Live In Graz, the group's second recording, a follow-up to the 2012 eponymous Yellow Sound Label debut and 2013's Sackbut Stomp (Multiphonics Music). The line-up is three trombones (Ryan Keberle, Luis Bonilla and Fielder) and a tuba (Jon Sass), so it isn't hard to imagine what the sound ...
Kurt Rosenwinkel Trio: Angels Around
by Mark Sullivan
Jazz guitarist Kurt Rosenwinkel's previous album Caipi (Heartcore Records, 2017) was unique in his discography. Not just original musicthat was true of many of his previous recordsbut Brazilian influenced, and featuring his vocals. This set is a call back to the Kurt Rosenwinkel Standards Trio's Reflections (WOMMUSIC, 2009): a selection of mostly modern jazz standards, played ...
Riverside Records: An Alternative Top Ten
by Chris May
From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...




