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Ron Blake: Mistaken Identity

by Jack Bowers
Once hailed as a promising young lion, Puerto Rico-born saxophonist Ron Blake is more a crafty old fox these days, bringing his wealth of experience and undeniable talent to bear on Mistaken Identity, his first album as leader in fifteen years. To assure a broad comfort zone, Blake invited guitarist Bobby Broom, a ...
Autumn Jazz Weathers Well in San Francisco

by Arthur R George
Autumn is a special season for jazz in San Francisco. The weather at other times of the year variously drives one indoors for warmth, a good enough reason to seek shelter in jazz. But in the autumn, mostly gone is the bone-chilling summer fog that pours into the city from the cold Pacific Ocean. Not yet ...
Remembering Carla Bley: Jazz Innovator Extraordinaire

by Ian Patterson
Carla Bley, composer, arranger, free-jazz pioneer, band leader, pianist and independent, whose compositions became jazz standards, has died at the age of 87. She had been diagnosed with brain cancer in 2018. Bley's most famous recording was her sprawling, genre-elusive triple album Escalator Over the Hill (JCOA Records, 1971). On the back of this ...
Jaimie Branch: 7 Steps To Heaven

by Chris May
Following the 2024 re-election of Donald Trump as President of the United States, and his subsequent ratification as President-for-Life, the US Constitution was suspended. Jaimie Branch, who had passed in 2022, was one of many musicians, film makers, writers and visual artists whose work, no longer protected by the First Amendment, was declared Un-American and its ...
John Scofield: Uncle John's Band

by Neil Duggan
Phil Lesh, Grateful Dead's bassist for over 30 years, claimed their basic inspiration came from the musical unions he saw in the Miles Davis Quartet along with the John Coltrane Quartet from the early 1960s. John Scofield and Lesh have played together on many occasions. So perhaps it is no surprise that the Grateful Dead anthem, ...
Bass Extraordinaire: John von Seggern / Bruno Raberg / Christopher Hale

by Doug Collette
In both its acoustic and electric form, the bass is too often overlooked in the context of musical performances both live and in studio. Yet it is this instrument that arguably confronts the greatest challenge of all in navigating arrangements and musicianship: specifically, to establish and maintain a middle ground of melody and rhythm that simultaneously ...
Antonio Borghini: Banquet of Consequences

by Libero Farnè
Dalla fine degli anni Novanta avevo assistito all'esordio di Antonio Borghini in seno al collettivo bolognese Bassesfere, al fianco di Fabrizio Puglisi, Cristina Zavalloni, Domenico Caliri, Edoardo Marraffa e tanti altri. Già nei primi anni del Duemila il contrabbassista aveva cominciato a collaborare anche con maestri internazionali del calibro di Tristan Honsinger, Anthony Braxton, Butch Morris, ...
Salvation through rhythm: Max Roach—The Drum Also Waltzes

by Peter Jones
Max Roach--The Drum Also Waltzes Directed by Sam Pollard and Ben Shapiro PBS American Masters2023 Anyone who enjoyed the recent Wayne Shorter documentary Zero Gravity might also dig this--a more conventionally structured but equally fascinating look at the life of Max Roach. Filmmaker and interviewer Sam Pollard began making it in ...
Kirk Works, Gospel Roots, New Releases

by David Brown
For this week's show, a set of works featuring Rahsaan Roland Kirk, gospel inspired tracks from James Brandon Lewis and Ray Bryant, solo piano from Mal Waldron and Matthew Shipp, and new releases from Eri Yamamoto (pictured), Anna Webber, Hiromi and more. Playlist Thelonious Monk Esistrophy (Theme)" from Live at the It Club-Complete (Columbia) ...
Charles Mingus: At Antibes 1960 Revisited

by Mark Corroto
At Antibes could easily be an all-time favorite Charles Mingus recording if he had not produced such extraordinary sessions as Mingus Ah Um (Columbia, 1959), Charles Mingus Presents Charles Mingus (Candid, 1961), The Black Saint And The Sinner Lady (Impulse!, 1963) and Mingus Mingus Mingus Mingus Mingus (Impulse!, 1964). Listeners can make their own picks, but ...