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81

Article: Take Five With...

Take Five With Jonathan Smith

Read "Take Five With Jonathan Smith" reviewed by AAJ Staff


Meet Jonathan Smith: Portland, Oregon jazz guitarist, playing in the stylistic tradition of Grant Green. Instrument(s): Guitar.Teachers and/or influences? Dan Balmer, Bruce Forman, and many other great musicians I've had the good fortune to spend time with. A few special influences are: Ingrid Jensen, Benny Green, ...

83

Article: Album Review

Cloning Americana: For Which It Stands

Read "For Which It Stands" reviewed by Raul d'Gama Rose


What are the color and the tone and texture of the music of protest and rebellion? Not red, it appears, but red white and tinged with the blues. At least this is what is posited by Cloning Americana, the ensemble that comprises saxophonist/clarinetist Billy Drewes, pianist Gary Versace bassist Scott Lee and drummer Jeff Hirshfield. Their ...

94

Article: Big Band Report

Bob Brookmeyer: Jack of All Trades, Master of Valves

Read "Bob Brookmeyer: Jack of All Trades, Master of Valves" reviewed by Jack Bowers


Bob Brookmeyer, a Renaissance man among jazz musicians who died December 15, 2011, four days before his eighty-second birthday, will be remembered as many things: composer, arranger, musician, educator, outspoken arbiter who brooked no nonsense and wasn't shy about letting others know when he believed they were not giving the music he loved the best they ...

76

Article: Album Review

Talking Cows: Almost Human

Read "Almost Human" reviewed by Raul d'Gama Rose


If there is anything better than the off-the-wall humor of the video promo that preceded this Talking Cows album, it is the actual album itself. Yet much more than the humor of it all is the spectacular seriousness of the music: deadly serious, and for those familiar with the high standards of music (and humor) in ...

64

Article: Album Review

Eugene Chadbourne and Warren Smith: Odd Time

Read "Odd Time" reviewed by Raul d'Gama Rose


All art is activist; or at least it should be when it challenges established and accepted forms that play to the laissez-faire, the reactionary and the antisocial--and the greater good of the greater number of people experiencing (or trying to experience) it. The music of Beethoven was just so, the composer cancelling the dedication of his ...

86

Article: Take Five With...

Take Five With Dave Bryant

Read "Take Five With Dave Bryant" reviewed by AAJ Staff


Meet Dave Bryant: Keyboardist and composer, Dave Bryant is best known for his work as a member of Ornette Coleman's Prime Time group. Bryant's addition to the group marked Coleman's first extended work with a keyboard instrument in decades.Instrument(s): Keyboards.Teachers and/or influences? I went through a ...

72

Article: Album Review

ReDiviDeR: Never Odd or EveN

Read "Never Odd or EveN" reviewed by Ian Patterson


ReDiviDeR was born in 2007, when drummer Matthew Jacobson gathered some of Ireland's finest creative musicians to give voice to his compositions. Its debut, recorded live, has an undeniably visceral impact. Jacobson's compositions are like fine sketches around which the musicians add their own bold colors, seeking collective form and harmony. Improvisation of a post-modern and ...

175

Article: Interview

Enrico Rava: To Be Free or Not To Be Free

Read "Enrico Rava: To Be Free or Not To Be Free" reviewed by Ian Patterson


Freedom, it could be argued, is most deeply understood by those who have been somehow constrained against their will, or who have been prisoners of their own skewed vision of what it means to be free. Trumpeter Enrico Rava knows the meaning of musical freedom; he was part of the free-jazz scene of the 1960s and ...

107

Article: Book Excerpts

Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion

Read "Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion" reviewed by Kevin Fellezs


This article appears in Chapter 3 of Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion by Kevin Fellezs (Duke University Press, 2011). Vital Transformation: Fusion's Discontents Ironically, fusion was, on the one hand, largely a concern for jazz participants and observers even though they largely denied its value or ...

303

Article: Race and Jazz

BAM or JAZZ: Why It Matters

Read "BAM or JAZZ: Why It Matters" reviewed by Greg Thomas


Since the last Race and Jazz column, the first of a multi-part discussion with John Gennari--the top scholar on the history of jazz criticism--a firestorm of controversy has arisen surrounding Nicholas Payton's declaration that, to him, the word jazz is dead. He also feels that the word jazz is tantamount to or worse than the “n" ...


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