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Michael Lake/Gerry Pagano: Roads Less Traveled
by Dan Bilawsky
The title of this album isn't just talk; it basically defines Michael Lake's entire career in music. Lake has made his way in the music world by playing the alto trombone--an instrument that many would simply look at as a novelty horn. Many years ago, his teacher at Arizona State University--a graduate assistant named Kevin Hedges--turned ...
Giulia Barba: The Angry St. Bernard
by Luigi Sforza
Imbattersi in lavori che più o meno chiaramente riverberano creativamente capitoli fondamentali della storia musicale afroamericana e non suscita interesse, anche solo per la possibilità che hanno di creare inevitabilmente valore aggiunto. Se inoltre affiorano tipicità estetica, buon livello di scrittura, capacità di gestire e amalgamare i timbri, guidare un settetto davvero internazionale verso un jazz ...
Practice, Do You? Part 1-3
by Dom Minasi
I began studying the guitar when I was seven years old. I hated my teacher and I didn't practice much, but when I changed teachers' and I went to Joe Geneli, I regained a love for the guitar that I first had when I was four years old when I first saw Roy Rogers sing and ...
Yvonnick Prene: Wonderful World
by Ian Patterson
Before arriving in New York in 2007, Paris-born harmonica player Yvonnick Prené had already gained schooling of the practical kind, touring and recording with pianists Laurent Cugny and Yaron Herman, and trumpeter Alex Tassel. Prené hit the ground running in the States, winning several scholarships that enabled him to study with saxophonist Lee Konitz, bassist John ...
Canterbury e dintorni secondo Ferdinando Faraò
by Claudio Bonomi
Fasano, solare cittadina pugliese in provincia di Brindisi, è da 17 anni teatro di un festival jazz eterodosso e controcorrente che, oltre a valorizzare talenti locali e a tenere alta la bandiera del jazz italiano (nel corso degli anni la rassegna ha ospitato, tra gli altri, Franco Cerri, Antonello Salis, Roberto Ottaviano, Franco D'Andrea, Stefano Bollani, ...
Jason Roebke Octet: High/Red/Center
by Giuseppe Segala
È un momento di fervida creazione per il contrabbassista Jason Roebke, quarantenne stabilito a Chicago da ormai una quindicina di anni, che in quella città condivide il proprio operato con un ventaglio di musicisti molto interessanti, tra cui elenchiamo gli stessi che prendono parte a questo splendido ottetto: il sassofonista alto Greg Ward, il tenorista Keefe ...
Chris Greene Quartet: Music Appreciation
by Hrayr Attarian
Saxophonist Chris Greene has a unique approach to jazz that, although well within the mainstream, is elegantly innovative. He colors his creative ideas and motifs with bluesy hues, endows them with an urbane sense of swing and enriches them with solid, improvisational rigor. His complex pieces flow with a deceptive simplicity yet make for a rewarding ...
Dave Sharp: Worlds
by Chris M. Slawecki
Detroit-based bassist Dave Sharp and the Secret 7 ensemble he leads have found acclaim for their expansive grasp of world music, including and especially jazz: Sharp has toured jazz clubs throughout Japan and studied jazz theory and music at the New College of California with bassist Herbie Lewis, who nailed down rock-solid rhythmic bottoms for soul-jazz ...
Mingus, Mingus and More Mingus
The Naples Philharmonic Jazz Orchestra dug deeply into the music of bassist and composer Charles Mingus in a concert Wednesday night at Artis Naples' Daniels Pavilion. It underscored his imprint on jazz as a bassist, composer and social commentator. The concert included a wide range of ambitious Mingus works, even touching on his early days as ...
Worlds Apart, Whirled Together
by Chris M. Slawecki
BossaCucaNova Our Kind of Bossa Six Degrees 2014 Our Kind of Bossa celebrates fifteen fun years of BossaCucaNova, one of Brazil's most adventurous contemporary ensembles (and was also timed to coincide with Brazil hosting the 2014 soccer World Cup). These eleven tracks fuse the electro-bossa nova for which the group ...
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