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Album

Three Classic Albums

By Cecil Taylor

Label: FMP
Released: 2010

172

Article: Album Review

Bob Gluck: Something Quiet

Read "Something Quiet" reviewed by Karl Ackermann

by Karl Ackermann

Thoroughly explaining the Julliard-trained Bob Gluck would be an exhaustive analysis. An accomplished composer of electronic music, a Rabbi, an educator and historical writer, he ventured deeper into jazz with Sideways (FMR Records 2008). Only Gluck himself remains from that recording's trio, a customary piano trio configuration but with Gluck's various synthesizers included. Something Quiet presents ...

273

Article: Album Review

The Vandermark 5 Special Edition: The Horse Jumps And The Ship Is Gone

Read "The Horse Jumps And The Ship Is Gone" reviewed by Mark Corroto

by Mark Corroto

With the 16th official release by The Vandermark 5, composer/director/leader Ken Vandermark invites two guest musicians to share the stage. Norwegian pianist Håvard Wiik and Swedish trumpeter Magnus Broo are, however, no strangers to projects by the reedman and company. That familiarity yields this solid June, 2009 live date at Chicago's Green Mill.Broo, an ...

214

Article: Album Review

DeBrunner / Silverman / Carter / Zlabinger: Macroscopia

Read "Macroscopia" reviewed by Hrayr Attarian

by Hrayr Attarian

The theme of Macroscopia is the universality of music, expressed as group improvisation by four superlative musicians. The quartet includes classically trained bassoonist Claire DeBrunner, an alumna of the Lennie Tristano school of free jazz via her mentors Lee Konitz and Connie Crothers}}; guitarist/percussionist Ken Silverman, who is heavily influenced by world music; reedman and trumpeter ...

353

Article: Album Review

Soren Kjaergaard / Ben Street / Andrew Cyrille: Open Opus

Read "Open Opus" reviewed by Jakob Baekgaard

by Jakob Baekgaard

While it may be easy to be daunted by the sheer pyrotechnics of musicians flexing their instrumental muscles, it is sometimes forgotten that the greatest ability of musical art is to let the listener in to be part of the process; in the best of all worlds, pure admiration is replaced by participation. Danish pianist Soren ...

222

News: Recording

Honoring Matthew Shipp's 50 Year Opus: Thirsty Ear Recordings releases "The Art of the Improviser" Feb 2011

Honoring Matthew Shipp's 50 Year Opus: Thirsty Ear Recordings releases "The Art of the Improviser" Feb 2011

For the better part of fifty years Matthew Shipp has been on a tireless journey to innovate a musical language that is at once so cerebral, emotional and physical that it becomes universally intelligible. Shipp has aspired to engineer an eclectically unprecedented sound, one capable not only of invigorating the jazz world, but potent enough to ...

421

Article: Live Review

Henry Grimes at The Stone: Alive at 75

Read "Henry Grimes at The Stone: Alive at 75" reviewed by Gordon Marshall

by Gordon Marshall

Henry Grimes, Newman Taylor Baker, Lee Mixashawn Rozie and Connie CrothersThe StoneEast VillageNew York, NY John Zorn honored the great Henry Grimes, bassist and violinist, with “a month of 75th birthdays" this November, consisting of a curatorship of his venue, The Stone, together with his wife, Margaret. A long weekend spent ...

69

News: Radio

A Brief History of Mary Lou Williams

Does anybody embody the history of 20th-century jazz as much as Mary Lou Williams? The arc of her career extends from the territory bands and Kansas City swing of the 1930s to the heights of the big-band era, the bebop movement of the 1940s, the American expatriate jazz of the post-World War II era, the sacred-jazz ...

378

Article: Live Review

Nnenna Freelon Live At The Saville Theater, San Diego

Read "Nnenna Freelon Live At The Saville Theater, San Diego" reviewed by Robert Bush

by Robert Bush

Nnenna Freelon Saville Theater, San Diego City College San Diego, CA November 9, 2010 Vocalist Nnenna Freelon has enjoyed her share of commercial success over the years (she's been nominated for six Grammy Awards), but not enough to damage her artistic integrity. She's got one hell of a voice, which ...


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