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Will The Real Joe Harriott Please Stand Up?
by Duncan Heining
The Jamaican saxophhonist Joe Harriott was, without doubt, one of the most important and innovative jazz musicians to emerge in Britain in the fifties and early sixties. He arrived in Britain in 1951 with Ozzie Da Costa's band, which was en route for an engagement in Germany playing US army bases. Much to his erstwhile boss's ...
Billy Test: Solo Piano at The Kitano
by Daniel Lehner
Billy Test SoloThe KitanoNew York, NYMarch 13, 2012Solo piano is a format that acts as a statement of achievement as much as it is a stylistic choice. It's not a venture for the half-hearted; solo piano concerts are typically conducted by longstanding luminaries like Keith Jarrett and Brad Mehldau. However, for ...
Jazz Musician of the Day: Cecil Taylor
All About Jazz is celebrating Cecil Taylor's birthday today! “One of my wishes has been realized. I found love. It was difficult, but I found it. Because when Billy Holiday sang, “You don‘t know what love is,” great singers will tell you… it‘s a partnership. It‘s a sharing"....---Cecil Taylor November 10, 2010 “Practice, to be studious ...
Andrew Cyrille / Haitian Fascination: Route de Freres
by Raul d'Gama Rose
To experience ecstasy without the memory of it would certainly be a travesty. Fortunately, it may now be possible to have both--to have the near-perfect memory of being in the throes of ecstasy--and it is all because of the music on Route de Frères by Andrew Cyrille and Haitian Fascination. More specifically, it is because of ...
Goodbye, Cecil's
by David A. Orthmann
In the hallway around the corner from the bandstand at Cecil's Jazz Club, hangs a poster for Slugs' Saloon. Through most of the 1960s, until its end in 1972, Slugs' was one of the most important jazz clubs in New York City. Unlike many of the upscale establishments that appeared in its wake, it was a ...
Matthew Shipp Trio: Elastic Aspects
by Troy Collins
From the sublime introspection of Bill Evans' legendary trio to the unfettered expressionism of Cecil Taylor's various units, the acoustic piano trio has proven to be one of the jazz tradition's most versatile and enduring configurations. Underscored by percussion, the pairing of two chord-based instruments facilitates a wide range of melodic, harmonic and rhythmic freedom, enabling ...
Amir ElSaffar: At Two Rivers' Confluence
by Daniel Lehner
There was a point during Amir ElSaffar's study of Arabic music where he almost didn't come back to jazz. He had gone to Iraq to study maqam, the system of melodic modes in traditional Arabic music, in order to bring some of the concepts into jazz. However, the experience proved to be a deepening one for ...
Aki Takase / Rudi Mahall and the Alexander von Schlippenbach Trio: London, UK, January 26, 2012
by John Sharpe
Aki Takase / Rudi Mahall and the Alexander von Schlippenbach TrioThe VortexLondonJanuary 26, 2012 The last week in January at north London's Vortex was given over to a mini-festival curated by saxophonist Evan Parker, genteelly entitled “Might I Suggest." Sponsored by the Goethe Institute, it showcased several German-based musicians rarely seen ...
Dave Burrell: Philadelphia, PA, January 18, 21 and 30, 2012
by Kurt Gottschalk
Dave BurrellThe Rosenbach Museum & Library and Philadelphia Arts Alliance Philadelphia, PAJanuary 18, 21 and 30, 2012 Dave Burrell is something of a renaissance jazzman. He recorded with drummer Sunny Murray and saxophonist Archie Shepp during the halcyon free jazz days of Paris in the late 1960s, and over the ...
Je Suis!: Mistluren
by Mark Corroto
In 1962 free jazz pioneer Albert Ayler moved to Sweden. Like Jesus Christ's 40 days in the desert, he came home to the United States after being tempted by the devil, and led a revolution in free jazz. His Swedish temptation, perhaps it was a viral contagion, has survived these past 50 years, resurfacing in the ...
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