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Trio 3 + Jason Moran: Refraction - Breakin' Glass
by John Sharpe
If ever there was a threesome that hankered after being a quartet, it's Trio 3. Though working as a self-contained unit since 1986, pianists have often supplemented the core triumvirate, and in fact one has augmented each of the group's previous three recordings. Now Jason Moran fills the piano stool on Refraction--Breakin' Glass, adding to an ...
Thollem McDonas: The Beauty of Never Going Back Home
by Dave Wayne
What is often forgotten about improvised music is that it can come from anywhere. Though its history is inextricably intertwined with jazz, improvisation is part and parcel of a myriad of musical cultures. Pianist and composer Thollem McDonas is not just aware of this fact, it is part of his daily existence. About 10 years ago, ...
Convergence Quartet: Slow And Steady
by John Sharpe
It might just be that the third record from the Transatlantic Convergence Quartet is its best yet. Recorded live at north London's Vortex at the conclusion of a short British tour, the band was firing on all cylinders. Not that its previous two outings were in any way remiss. Live In Oxford (FMR, 2007) documented a ...
New England Conservatory Alumnus Cecil Taylor Awarded 2013 Kyoto Prize
New England Conservatory alumnus pianist/composer Cecil Taylor '51 DP, has won the 2013 Kyoto Prize in the category of arts and philosophy awarded by the Inamori Foundation in Japan. The prize is an international award presented in three categories to those who have contributed significantly to the progress of science, the advancement of civilization, and the ...
Johannes Richter: 13 Pieces
by Mark Corroto
One man, one piano, and no score. That is the protocol for Danish musician Johannes Richter's 13 Pieces, a heartfelt and honest session of instantly composed music. Much like Craig Taborn's Avenging Angel (ECM, 2011), Richter constructs magic from thin air.His approach, like that of Keith Jarrett's early solo work, is scarcely recognizable as ...
Tomasz Stanko New York Quartet: Copenhagen, Denmark, July 6, 2013
by Jakob Baekgaard
Tomasz Stańko New York QuartetCopenhagen JazzhouseCopenhagen, DenmarkJuly 6, 2013 In the 1960s, Polish trumpeter Tomasz Stańko emerged as a major talent on the European jazz scene. His unique musical voice was recognized by his legendary countryman, pianist Krzysztof Komeda, who enlisted him to be part of his groundbreaking masterpiece Astigmatic ...
Alexander Balanescu: The Aggressive Lyricism
by Adriana Carcu
Alexander Balanescu, the London-based violinist of Romanian origin, leads the avant- garde string quartet Balanescu Quartet, formed in 1987. Before that, Balanescu was part of the Michael Nyman Ensemble and Arditti Quartet. Ever since he has worked closely with artists of various musical orientations such as saxophonist John Lurie, singer David Byrne, pianists Keith Tippett and ...
Marco Eneidi: Pallettes of Color & Sound
by Anna Poczatek
Marco Eneidi seems to become a forgotten artist. Which is odd, at the very least, because his improvisation workshops are attended by the first seat of the Tonkünstler-Orchester Niederösterreich, and because, in just the past few years, the saxophonist has played with artists including pianist Cecil Taylor, guitarist Joe Morris, reed multi-instrumentalists Roscoe Mitchell, Peter Brötzmann ...
Shelly Manne: The Three & The Two
by David A. Orthmann
"When I'm playing, I think along melodic lines. For instance, I can go up as the notes go up. I may not hit them on the head, but the drums are a very sympathetic instrument and I can sometimes sound like I'm playing the melody without being right in tune. Naturally, I don't have the whole ...
Art Strike!
by Mark Corroto
"Would you support an art strike?" That's the question I've been asking musicians for the past few months. “Will you agree to stop writing and performing music for one year?" In 1990 the London artists Stewart Home and Mark Pawson proposed that all artists cease to “make, exhibit, distribute, sell, or discuss their work" for three ...
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