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My Conversation with Matthew Shipp
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in June 1999. Society as a rule, in the nineties, has become so accustomed to being spoon-fed their opinions and their ideas that if Rosie or Oprah doesn't recommend it or some guy fails to give it a thumbs up, it is ...
Craig Taborn: Shadow Plays
by Mike Jurkovic
Recorded with stunning clarity of sound and a brave vision, at Vienna's Mozart-Saal of the Wiener Konzerthaus in March 2020, Craig Taborn's visceral variations on a theme and quixotic poetics rise and fall majestically on Shadow Plays, a bold, fully-rendered successor to his last solo ECM outing Avenging Angel (2011) The rapturously inquisitive Taborn ...
Sam Rivers: Undulation
by John Sharpe
Sam Rivers, who died in 2011, was one of the luminaries of the avant-garde, a Blue Note artist who played not only with Miles Davis and Cecil Taylor, but also Dizzy Gillespie and Billie Holiday. He lead his own groups for much of his life but also found time to run one of New York's premier ...
Borderlands Trio: Wandersphere
by John Sharpe
Like a billionaire with money to burn, the Borderlands Trio frequently launch into space, and hit the jackpot in doing so. On this double disc set, the threesome—comprising bassist Stephan Crump, pianist Kris Davis and drummer Eric McPherson—luxuriate in the wide open vistas of four expansive improvisations of between nineteen and forty-two minutes. The decision to ...
Andrew Cyrille: The News
by Ian Patterson
There is no denying the significance of Andrew Cyrille's oft-cited association with Cecil Taylor, not to mention his collaborations with other avant-garde luminaries such as Walt Dickerson, Ahmed Abdul Malik and Marion Brown. However, such reductive narratives tend to overlook Cyrille's own, fairly extensive output as a leader, beginning with What About? (BYG Actuel, 1971). Whilst ...
Pat Martino: Creative Force
by Mike Brannon
This article was first published at All About Jazz in June 2000. Pat Martino. A name that strikes anything from fear to sheer awe and reverence in musicians who know who this is. And what he's done and been through. And continues to go through. The name resonates a bridge between the true Jazz ...
Matthew Shipp: Codebreaker
by Dan McClenaghan
Pianist Matthew Shipp has a habit of putting out piano solo and piano trio CDs in quick succession. In 2020, it was the solo set Piano Equation (Tao Forms) and the trio outing The Unidentifiable (ESP Disk). In 2021 he offers up Village Mothership (Tao Forms), a trio offering, and the solo set—and the subject of ...
Andrew Cyrille Quartet: The News
by Mario Calvitti
Con una carriera che attraversa gli ultimi 60 anni di storia del jazz, dall'alto dei suoi 80 anni (compiuti un paio di mesi dopo le sessioni di registrazione di questo disco nel 2019), il veterano batterista Andrew Cyrille non ha alcun timore di mettersi ancora in gioco, come aveva già dimostrato pochi anni fa con il ...
Umlaut Big band: Mary's Ideas
by Mark Corroto
In the liner notes of Embraced (Pablo Live, 1978), Mary Lou Williams defends the late music of John Coltrane thus ..."the healing power comes from the deep feeling that is in jazz--the feeling of the Blues which is characteristic of all good jazz no matter what form it takes. Even John Coltrane's music was never without ...
Steph Richards: Zephyr
by Mike Jurkovic
Zephyr comes at you from all sides. Some you hear coming, others you don't. And some you just hear, stop and marvel at how we choose to communicate both to ourselves and to others. You listen in and then move on to the next unknown emergency, to the next crash course, the next languid sea. It ...
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