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8

Article: Album Review

Craig Tweddell Quintet: Away with Words

Read "Away with Words" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello

Perhaps it's more than coincidental that Craig Tweddell titled this intriguing recording a snowclone--Away With Words. That might be because this exciting Louisville-based trumpeter/composer hosts a noted weekly jam session at a club named for author and poet--Rudyard Kipling--or, it might suggest most correctly that it's the music that does the word speak here.

10

Article: Album Review

Arve Henriksen: Places of Worship

Read "Places of Worship" reviewed by Phil Barnes

by Phil Barnes

Can it really be five years have passed between this release and Arve Henriksen's last material as leader--the wonderful 2008 collection Cartography on ECM? That record featured Jan Bang and Erik Honore, his core collaborators on this excellent collection, alongside the likes of Eivind Aarset, Lars Danielson and David Sylvian to name but a few. Danielson ...

5

Article: Album Review

RED Trio: Rebento

Read "Rebento" reviewed by John Sharpe

by John Sharpe

Piano trios which accentuate the abstract facets of the format have become increasingly widespread in recent years, although boasting a legacy which stretches back to the pioneering outfits of British pianist Howard Riley in the late 1960s with bassist Barry Guy. Foremost among the current roll call, which includes Frenchwoman Eve Risser, Spaniard Agusti Fernandez, and ...

4

Article: Album Review

Clara Vuust: Here’s To Love

Read "Here’s To Love" reviewed by Chris Mosey

by Chris Mosey

Denmark's Clara Vuust has a voice as clean and clear as the “ping" you get when you flick your fingernail against a piece of Scandinavian crystal glassware." She uses it to come up with a quite stunning debut album. Hitherto she was known in her homeland only as the sister of saxophonist Christian ...

6

Article: Album Review

Sketches: Volume One

Read "Volume One" reviewed by Glenn Astarita

by Glenn Astarita

This Brooklyn-based jazz quintet comprised of nascent talent takes a unique approach to composition. Here, the musicians share a sketch from a notepad, denoting an incomplete composition or musical fragment and another band-member runs with it to use as a foundation for a new composition. Nonetheless, it's a balanced program, where the musicians fuse probing melodic ...

4

Article: Album Review

Trespass Trio + Joe McPhee: Human Encore

Read "Human Encore" reviewed by Florence Wetzel

by Florence Wetzel

Portugal is one of the most free-jazz friendly countries on the planet, and the innovative Clean Feed label is one of the reasons why. With over two hundred releases thus far, Clean Feed has been documenting the next wave(s) of avant-free music. This includes the mighty Trespass Trio, a powerhouse group of improvisers consisting of Swedish ...

3

Article: Album Review

Archie Shepp Attica Blues Orchestra: I Hear the Sound

Read "I Hear the Sound" reviewed by Jack Bowers

by Jack Bowers

Saxophonist Archie Shepp wrote “Attica Blues" in 1972, not long after a five-day uprising at that New York state prison left thirty-nine people dead, twenty-nine of whom were inmates. Now, more than forty years later, Shepp's Attica Blues Orchestra (comprised for the most part of French musicians) has resurrected the “Blues" and made it the linchpin ...

7

Article: Album Review

Peter Lemer Quintet: Local Colour

Read "Local Colour" reviewed by Glenn Astarita

by Glenn Astarita

British keyboardist Peter Lemer is highly regarded for his contributions to the fabled 1970s Canterbury progressive rock scene via his work with Gong, Gilgamesh and other bands of that bygone era and beyond. However, Local Colour originally released in 1968, is a free-form jazz outing that signifies Lemer's first and only solo venture. Moreover, this album ...

5

Article: Album Review

Per Gärdin: loos

Read "loos" reviewed by Eyal Hareuveni

by Eyal Hareuveni

Swedish, Stockholm-based free improviser, saxophonist Per Gärdin continues to expand his solo art on this, his sophomore album which follows In Situ (released on his own label, Ibn Musik, 2010). This album is a set of improvisations for solo saxophone Gärdin's musical resume includes collaborations with other prominent Swedish improvisers such as the pianist Lisa Ullén, ...

4

Article: Album Review

Tim Warfield: Inspire Me!

Read "Inspire Me!" reviewed by Dan Bilawsky

by Dan Bilawsky

Saxophonist Tim Warfield has a lot of irons in the fire. While serving as “artist-in-residence" at Messiah College, attending to his duties as an adjunct faculty member at Temple University, appearing live under his own name and working with high profile artists like trumpeter Terell Stafford, he also found time to deliver three albums in an ...


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