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12

Article: Album Review

Oddjob: JAZZOO

Read "JAZZOO" reviewed by James Pearse

by James Pearse

With five diversely themed full-length albums (all Grammy-nominated) under its collective belt, it was anyone's guess as to where Swedish jazz ensemble Oddjob would take its music next. Oddjob's last release Clint (ACT, 2010) saw the quartet rework, reimagine and 'jazzify' classic Western themes by Ennio Morricone, Lalo Schifrin, et al. JAZZOO (Headspin Recordings, ...

13

Article: Album Review

Davor Kajfeš: Dialogues With Scriabin

Read "Dialogues With Scriabin" reviewed by James Pearse

by James Pearse

You'd be forgiven for being unfamiliar with the work of Russian composer Alexander Scriabin (1872-1915) or, indeed, Croatian jazz pianist Davor Kajfeš. Sadly neither one has been widely heard outside of their respective--or adopted--countries to date. We can celebrate, then, that the release of Dialogues With Scriabin (Headspin Recordings, 2013) brings the music of these two ...

3

Article: Album Review

Jane Ira Bloom: Sixteen Sunsets

Read "Sixteen Sunsets" reviewed by Hrayr Attarian

by Hrayr Attarian

Soprano saxophone virtuoso Jane Ira Bloom's intensely intimate and simultaneously cinematic Sixteen Sunsets is quite different from her preceding albums, Like Silver, Like Song (Artistshare, 2005), Mental Weather (Outline, 2008) and Wingwalker (Outline, 2010). Gone are the edgy flirtations with freer styles as well as the provocative, electrifying compositions. Instead the material is mostly standards and ...

3

Article: Album Review

Christian Pincock: Plentiful Excitement

Read "Plentiful Excitement" reviewed by Jack Bowers

by Jack Bowers

Here's an unusual combination: valve trombone, piano, drums and tuba (no bass). The leader, Christian Pincock, was until recently a teacher at the University of New Mexico and member of the Albuquerque Jazz Orchestra, and Plentiful Excitement was recorded in Santa Fe shortly before he left New Mexico to explore greener pastures in the Great Northwest ...

8

Article: Album Review

Abbey Rader: Reach For The Skies

Read "Reach For The Skies" reviewed by Mark Corroto

by Mark Corroto

Look beyond the giants of free jazz saxophone, better yet listen to the sounds behind John Coltrane, Peter Brotzmann, Joe McPhee, and any other legend of free jazz. Listen and you'll hear Han, Elvin, Paal, Ronald Shannon, Hamid, Milford, Sunny, and Rashied. Drummers. Add to that list Abbey. Abbey Rader is an ...

9

Article: Album Review

Troyk-estra: Live at Cheltenham Jazz Festival 2013

Read "Live at Cheltenham Jazz Festival 2013" reviewed by Phil Barnes

by Phil Barnes

UK trio Troyka have made significant and idiosyncratic progress with each successive release since their eponymous debut [Edition 2009] and its classic follow up Moxxy [Edition 2012] which added angular post punk guitar shapes to the signature mix of impressionistic keyboard, heavy guitar and prog influenced time changes. Great though both those sets were, nothing therein ...

3

Article: Album Review

Frank Macchia: Grease Mechanix

Read "Grease Mechanix" reviewed by Jack Bowers

by Jack Bowers

One thing that must be said about Frank Macchia (well, two things, actually)--he's a wild and crazy composer / bandleader whose satchel is always overflowing with splendid musical surprises. On his new album, Grease Mechanix, Macchia goes funky in a New Orleans brass band manner, employing a seventeen-piece ensemble comprised of some of the best sidemen ...

9

Article: Album Review

Evan Parker/ Matthew Shipp: Rex, Wrecks & XXX

Read "Rex, Wrecks & XXX" reviewed by John Sharpe

by John Sharpe

Few barriers remain in jazz. Certainly not geographical or generational. Even genre does not present insurmountable obstacles. Were it needed, further confirmation arrives in the shape of a meeting between two distinctive stylists: American pianist Matthew Shipp and English saxophone iconoclast Evan Parker. Far from being their first encounter, the pair know each other well, having ...

5

Article: Album Review

Shamus Dark: Trouble In Paradise

Read "Trouble In Paradise" reviewed by Bruce Lindsay

by Bruce Lindsay

Trenchcoats, shades, snap-brim hats, open-necked shirts and loose black ties. Not forgetting the cigarettes and alcohol. Vocalist Shamus Dark has a strong line in film noir visuals to complement the selection of songbook classics that appears on Trouble In Paradise. It's not just the cover photos: the videos that he's created to accompany many of the ...

3

Article: Album Review

Tim Daisy: A Fine Day In Berlin

Read "A Fine Day In Berlin" reviewed by Mark Corroto

by Mark Corroto

Blender drinks sometimes disguise their ingredients. A little peanut butter and banana tossed into your kale and spinach smoothie might provide just the right flavor camouflage. Likewise, adding drummer Tim Daisy (and his compositions) into a piano trio recording will produce results that are anything but standard trio fare. Daisy, one of Chicago's go-to ...


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