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Mats Gustafsson/dieb13/Martin Siewert: Fake The Facts: Soundtrack
by Mark Corroto
Stripped to its core, music is communication. It is the accompaniment to life's movie. The first fabulists, our cavemen ancestors probably invented music by imitating the sounds of nature, such as bird calls, wolf howls, and the patter of rain on the cave's entrance. The pleasure delivered by that experience caused several members of the cavemen's ...
Dalia Faitelson: As The World Sleeps
by Eyal Hareuveni
Danish, Israeli-born vocalist-songwriter and guitarist Dalia Faitelson calls her new collection of original songs--all born in the still, dark hours of night, the times that dreams are born--"a kinky jazz salute to Marlene Dietrich." In a way, Faitelson, like Dietrich, reinvents herself. Leaving aside her world music project Pilpel to acknowledge the formative influence of songwriters ...
The Nels Cline Singers: Macroscope
by Maurizio Comandini
La luminosa carriera di Nels Cline è talmente ben consolidata che non serve alcuna conferma. Ma se per caso qualcuno si fosse distratto negli ultimi trent'anni, arriva oggi un segnale che non si può ignorare: con questo Macroscope il chitarrista californiano riafferma il suo posto di riguardo nella lista dei dieci chitarristi più interessanti della sua ...
Keith Tippett - Giovanni Maier: Two for Joyce
by Neri Pollastri
Registrato dal vivo al Teatro Miela di Trieste nel maggio del 2012, questo lavoro è, non a caso, dedicato a James Joyce. Non solo, infatti, questi visse a Trieste, che gli ha dedicato un monumento, ma anche la musica che Keith Tippett e Giovanni Maier vi esprimono ha qualcosa della poetica dello scrittore irlandese: aperta e ...
The Nels Cline Singers: Macroscope
by Troy Collins
Macroscope is a first for guitarist Nels Cline's ironically named band, The Nels Cline Singers, in more ways than one. The group's four previous albums were released by the notoriously adventurous Cryptogramophone label, so it is somewhat surprising to see the amplified power trio's latest endeavor issued by the relatively mainstream Mack Avenue imprint. More importantly, ...
Riverside: Riverside
by Troy Collins
The collaborative quartet Riverside was initially founded by Montreal-based tenor saxophonist Chet Doxas to explore the legacy of groundbreaking American composer and multi-reedist Jimmy Giuffre. Long admired by fellow jazz musicians for his innovative use of counterpoint, microtonality and rhythmic freedom, Giuffre has rarely received the sort of popular acclaim his body of work deserves.
Douglas Detrick’s Anywhen Ensemble: The Bright and Rushing World
by Mark Corroto
Go ahead, ask the question, “But is it jazz?" Douglas Detrick's Anywhen Ensemble presents the ten movement suite, The Bright and Rushing World, a continuous piece of music, commissioned by Chamber Music America. So maybe it isn't jazz. Detrick's ensemble contains a jazz drummer Ryan Biesack, who can be heard on Pieces (OA2 Records, ...
Hot Four: Eye of the Moose
by Eyal Hareuveni
The Norwegian-Swedish quartet Hot Four was founded by Norwegian vocal artist Andreas Backer as a vehicle for free-minded, free- improvised, free-chamber textures that float, obviously freely, between elements inspired by European influences, modern jazz and contemporary classical music. Backer wisely chose fearless, experienced and highly versatile improvisers--Norwegian drummer Ståle Liavik Solberg, who studied with him in ...
Dave Rempis / Lasse Marhaug: Naancore
by Eyal Hareuveni
Naancore adds another chapter to the Chicago-Oslo musical axis. This limited edition LP (offered also as a digital download) brings together one of the most original Norwegian musicians, noise master Lasse Marhaug with one of Chicago's most active saxophonists Dave Rempis. The two like-minded, fearless musicians collaborated before in Ken Vandermark's Territory Band, when Marhaug guested ...
Rich Halley 4: The Wisdom of Rocks
by Dan McClenaghan
Portland, Oregon, based saxophonist Rich Halley calls his 2014 quartet outing The Wisdom of Rocks, and on the disc' opener, “The Atoll," he blusters out of a two horn intro--with trombonist Michael Vlatkovich--into a tenor sax solo that sounds as if its roaring from some dark cavern, up out of the bedrock from its origins in ...
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