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Tatsuya Nakatani & Shane Perlowin: Anatomy of a Moment
by Dave Wayne
On Anatomy of a Moment, Aleuchatistas guitarist Shane Perlowin joins the legendary percussionist Tatsuya Nakatani for a series of duets that are as perplexing as they are beautiful. Sticking largely to fingerstyle acoustic guitar, Perlowin's controlled and tightly parameterized improvising stands in stark contrast to Nakatani's varied and unpredictable sound experiments. While his playing in the ...
Ivo Perelman: Book of Sound
by Glenn Astarita
The mighty tenor saxophonist Ivo Perelman leads a team of frequent collaborators and superior craftsmen, pianist Matthew Shipp and bassist William Parker. Drawing on past endeavors in various settings, the trio's remarkably intuitive powers are inherent throughout. With movements that are the cogs in the wheel of instantaneous forays in composition, they navigate through broad vistas ...
Erik Friedlander: Nighthawks
by Troy Collins
Named after the famous Edward Hopper painting, which depicts four people in a diner late in the evening, Nighthawks was conceived by cellist Erik Friedlander under similarly evocative circumstances--during the nearly week-long blackout that enveloped much of New York City in the aftermath of Hurricane Sandy in September of 2012. Inspired by the uncanny quiet and ...
Peter Lerner: Continuation
by Jack Bowers
Nothing unflattering can be said about Chicago-born and -based guitarist Peter Lerner's latest album, Continuation. The energy level is high, the charts admirable, the supporting cast exemplary. On the other hand, it would be hard to separate the enterprise from a veritable sea of rivals that dwell in a comparable groove. As there is nothing explicit ...
Elektrojazz: Cars
by Jakob Baekgaard
It was Paddy McAloon from the British pop band Prefab Sprout who famously made fun of the fascination with cars and girls on the hit Cars and Girls," but, indeed, there is a grain of truth behind the joke. Many pop songs are in fact love songs about girls, but what about the cars? A singer-songwriter ...
Dusan Jevtovic: Am I Walking Wrong?
by Dave Wayne
As guitar-based fusion albums go, Am I Walking Wrong? is an auspicious and mature debut recording by the Barcelona-based, Serbian- born Dusan Jevtovic. What's immediately apparent is that Jevtovic places soloing on equal footing with composing, while sound, ambiance, motivic development, and the very way in which an improvisation fits into a composition takes precedence over ...
Arturo O'Farrill & The Afro Latin Jazz Orchestra: The Offense Of The Drum
by Dan Bilawsky
The Offense Of The Drum may be the least cohesive record in Arturo O'Farrill's discography, but that's largely by design. Here, O'Farrill firmly adheres to his stated artistic vision"--"to bend what the world knows as Afro Latin jazz over the acoustic horizon"--better than anywhere else in his discography. Guests galore and a belief in Afro Latin ...
Sax Appeal: Funkerdeen
by Bruce Lindsay
Three decades since it was established, by leader and alto player Derek Nash, the UK's Sax Appeal still retains the fire and enthusiasm of youth--and a five saxophone front line that's more than capable of translating that energy into a big, bold, crowd-pleasing sound. Funkerdeen is the band's sixth album. As the title suggests, funk is ...
Steve Lehman: Mise en Abîme
by Karl Ackermann
Composer/saxophonist Steve Lehman's credentials are as unique as his music. A Fulbright scholar with a PhD in composition, his on the job training has been at the hands of a diverse group of teachers including saxophone legends Jackie McLean and Anthony Braxton. A New York native, Lehman garnered widespread praise with the groundbreaking Travail, Transformation and ...
Niels Lyhne Løkkegaard: Sikorsky
by Eyal Hareuveni
Sikorsky is an ambitious and highly original orchestral piece for 18 musicians--8 clarinets, 4 drum kits, 4 double basses, trumpet and the alto sax of its composer and arranger, Danish, Copenhagen-based Niels Lyhne Løkkegaard. As on his previous release Vesper (2012), Løkkegaard is fascinated with the sound of clarinets and the sound of a closely-voiced clarinet ...

