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Kidd Jordan & Hamid Drake: A Night In November - Live in New Orleans
by Dave Wayne
Hard to believe, but A Night In November--Live in New Orleans is the first drums / saxophone duet recording by legendary New Orleans free jazz saxophonist and educator Kidd Jordan. He's accompanied by a true kindred spirit, Hamid Drake. Though both have made names for themselves in the rarefied world of free improvisation, neither are shy ...
Peter Van Huffel/Michael Bates/Jeff Davis: Boom Crane
by Glenn Astarita
Berlin-based saxophonist, composer Peter Van Huffel is the lead voice on Boom Crane's debut outing, featuring the dynamo rhythm section of New York residents, bassist Michael Bates and drummer Jeff Davis. As one would anticipate, the saxophonist imparts his creatively focused, restless nature into the grand schema. He's a mover and shaker via his unwieldy theme- ...
Quentin Angus: Perception
by Ian Patterson
Australia boasts an embarrassment of great jazz musicians, an increasing number of whom have made their way to New York in recent years to broaden their horizons. Guitarist Quentin Angus is one such notable Aussie talent. Here Angus follows up his promising debut, Retrieval Structure (Self Produced, 2011) with another assured work that highlights his tasteful ...
Paul Tynan & Aaron Lington: Bicoastal Colletive: Chapter 4
by Jack Bowers
Trumpeter Paul Tynan and baritone saxophonist Aaron Lington first met more than fifteen years ago when they were grad students at the University of North Texas in Denton. After gigging separately for a few years, they formed the Bicoastal Collective about a decade ago and have been playing and recording together ever since. This could reasonably ...
Ed Partyka Jazz Orchestra: Hits!*, Vol. 1
by Jack Bowers
There's actually an asterisk after the title of the Ed Partyka Jazz Orchestra's latest album, Hits! Vol. 1 In small print, at the bottom left-hand side of the jacket, are the words “except track 8." As Partyka explains in the liner notes, much of the album is comprised of “a cross section of the music that ...
André Santos: Ponto De Partida
by Dave Wayne
Listening to Ponto de Partida (Starting Point), it's rather hard to believe that André Santos has been playing jazz for less than 10 years. The young Portuguese guitarist's charming, understated debut album seems like the work of an older musician: one, perhaps, with nothing to prove except for the sheer enjoyment of making music. From the ...
Itaru Oki: Chorui Zukan
by Eyal Hareuveni
Japanese trumpeter Itaru Oki is one of the forefathers of the free jazz scene in Japan; he was a member of the seminal, experimental Japanese trio ESSG, with pianist Satoh Masahiko, and drummer Togashi Masahiko, an improviser who was a role model for many Japanese musicians. Among them was pianist Satoko Fujii, and trumpeter Natsuki Tamura, ...
Ernie Watts: A Simple Truth
by Ian Patterson
The title of Ernie Watt's seventh release on his Flying Dolphin label reflects the tenor great's guiding philosophy, as he explained in a recent interview for dublinjazz.ie: “We are creating our reality all day every day by the thoughts that we think and by the things that we say and by our belief systems. It's a ...
King William Jazz Collective: King William Jazz Collective
by Jack Bowers
About four years before this splendid album was recorded, the King William Jazz Collective performed its first gig in San Antonio's historic King William district. While that alone could be impetus enough on which to hang a name, there's more, as the band's baritone saxophonist / music director happens to be King, William (at least in ...
Leon Gurvitch: Remember Me
by Dan McClenaghan
Classical versus Jazz. The former relies more on technique and adherence to the written note. It's an artistic expression that is more about the composer. Jazz is more about the performing artist, more about improvisation and seat-of-the pants creation. Russian-born and now Hamburg-based pianist Leon Gurvitch leans hard in the classical direction. But the ...
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