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Pat Mallinger Quartet With Bill Carrothers: Elevate
by Dan McClenaghan
Chicago-based saxophonist Pat Mallinger's Home on Richmond (Self Produced, 2011), featuring pianist Bill Carrothers, introduced a superb teaming of talents. Mallinger could be tagged as a mainstreamer, but only in an elastic interpretation of the label, something like calling sax man Jackie McLean a straight ahead jazz guy. Maybe, but he, like Mallinger sure does test ...
L.A. Jenkins / Hasan Abdur-Razzaq / Adam Smith: Intrusion
by Mark Corroto
This outwardly simple and uncomplicated trio recording by L.A. Jenkins matches three improvisers with almost identical musical visions. The guitarist collaborates with saxophonist Hasan Abdur-Razzaq and drummer Adam Smith. Both partners are versed in the exploratory music of Sun Ra, Albert Ayler, and Pharoah Sanders. And both are members of The Wizards, a quartet that mines ...
Charles Davis: For The Love Of Lori
by Hrayr Attarian
Saxophonist Charles Davis' paean to his late wife, For the Love of Lori, is more of a musical celebration of her spirit than a requiem. Sure, there are moments of intense sorrow and nostalgic melancholy but they are enveloped in positive, swinging creativity. On “What'll I Do?" for instance, Davis' wistful soliloquy is filled ...
Partisans: Partisans - Swamp
by Phil Barnes
Partisans, seen by many as the godfathers of the flourishing UK prog jazz scene, plough their own idiosyncratic path on this their fifth album, and first to appear on London label of the moment Whirlwind. The title conjures up fears of a blues rock abomination but thankfully the gentlemen have refrained from donning bandanas or placing ...
Ben Flocks: Battle Mountain
by Vincenzo Roggero
L'ispirazione per la musica contenuta in Battle Mountain--è lo stesso Ben Flocks a rivelarlo nelle note di copertina--arriva dalla grandiosa natura delle Santa Cruz Mountains, zona incontaminata della California nella quale Oceano Pacifico, rocce granitiche, colline rigogliose danno vita ad un paesaggio affascinante e misterioso. Il secondo brano--il traditional “Shenandoah"--e “Silver City Bound" ...
Eric Zinman Devototionalien: Söllen uns in demut üben in harmony zu ieberlüben
by Libero Farnè
Le note di copertina non riportano i titoli delle tre tracce che compaiono nel lettore CD: evidentemente si considera la performance, registrata dal vivo a Vienna nell'aprile 2009, come una suite in tre movimenti, l'irripetibile espressione di un flusso d'improvvisazione. Si sviluppa così una musica di forte impatto, antiaccademica, debitrice verso il free più ...
Chicago Jazz Philharmonic: Sketches of Spain Revisited
by Jack Bowers
One by one, the trio of classic big-band collaborations by Miles Davis and Gil Evans is being rediscovered and reinvented by contemporary jazz ensembles: Miles Ahead, Porgy & Bess and last but not least, the tasteful and picturesque Sketches of Spain, reappraised here by trumpeter Orbert Davis (no relation to Miles) and the splendid Chicago Jazz ...
Riverloam Trio: Inem Gortn
by John Sharpe
After an impressive eponymous live debut, the Anglo Polish Riverloam Trio, comprising reedman Mikolaj Trzaska, bassist Olie Brice and drummer Mark Sanders, enter the studio for their follow up outing. In many ways they deliver more of the same: fiery free improvisation in post-Ayler mode. As a threesome they are perfectly matched both temperamentally and musically. ...
Jerrold Dubyk Quintet: Invitations
by Bruce Lindsay
Jerrold Dubyk helpfully defines the title of his third album, Invitations, as “an often formal request to be present or participate." Pedantic jazz fans (and there are many) might wish to point out that the definition refers to the singular, while the title is plural. The less pedantic might simply wish to shake their heads, reflect ...
Circadian Rhythm Kings: Circadian Rhythm Kings/Three Thirty Four
by Fiona Ord-Shrimpton
A regularly used time reference in this editor's house is 3:15. It's used to denote anything unheard, misheard or not wanted to be listened to--"Can you fetch the milk?" “Quarter past three." “Turn that music down!" “3:15." “Are you going crazy?" “3:15..." so Circadian Rhythm King's album Three Thirty Four is that more or less crazy? ...
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