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Rudresh Mahanthappa: Bird Calls
by Dave Wayne
On Bird Calls, alto saxophonist and composer Rudresh Mahanthappa takes on the music of Charlie Parker in a personal and profound way, accompanied by his whip-smart, uber-hip and youthful backing band. Let's face it, folks; this is the sort of thing a jazz fan's daydreams are made of. The result doesn't disappoint; Bird Calls is a ...
Frank Lowe: Out Loud
by John Sharpe
In the spring of 1974, the storied ESP label had just released the leadership debut of thirty-year old reedman Frank Lowe, and now he was considering his next move. Val Wilmer in her groundbreaking As Serious As Your Life (Quartet Books, 1977) observes about Lowe: “Everywhere you go in New York you'll run into him, working ...
Winnipeg Jazz Orchestra: Suite Messiah / Steppin' Out
by Jack Bowers
Suite Messiah, recorded in 2012 and 2014, is the third and most recent album produced by the excellent Winnipeg Jazz Orchestra from central Canada, while Steppin' Out was recorded in 2007 to mark the orchestra's tenth anniversary. Whereas Suite Messiah is altogether seasonal, Steppin' Out salutes the Great American Songbook by renovating a dozen of its ...
John O'Gallagher: The Honeycomb
by Dan McClenaghan
Bring up the trio format, one with an alto saxophone, bass and drums, and Ornette Coleman, alto man extraordinaire, might come to mind, especially those fantastic Blue Note Records sets, The Ornette Coleman Trio at the Golden Circle Stockholm, Volume One and Two (1965). In fact, alto saxophonist John O'Gallagher, on The Honeycomb, has a lyricism ...
Sound Underground: Sound Underground
by John Eyles
Formed in the autumn of 2013, Sound Underground is a trio of young roommates who at the time were studying at the Frost School of Music in Miami, Florida: guitarist Jonah Udall, trumpet and flugelhorn player Alec Aldred and alto saxophonist David Leon. They say they formed Sound Underground as a natural extension of their shared ...
Bob Dylan: Shadows in the Night
by Matt Marshall
After spending the past 50-plus years mining the traditional music of what Greil Marcus has termed “old, weird America," and expanding it into the contemporary worlds of folk, rock, country, gospel and other singular hybrids thereof, on Shadows in the Night Bob Dylan gives us his take on the Great American Songbook. Thankfully, Dylan doesn't jettison ...
Keri Johnsrud: This Side Of Morning
by Ben Scholz
For her sophomore effort This Side Of Morning, vocalist Keri Johnsrud presents a collection of original material co-written with pianist Kevin Bales. Featuring a powerhouse band of Chicago musicians including guitarist Neal Alger, bassist Larry Kohut, drummer Jon Deitemyer, and vibraphonist Stephen Lynerd, Keri explores a range of emotions in what amounts to a book of ...
Roger Turner & Otomo Yoshihide: The Last Train
by John Eyles
Recorded at Tokyo's Hara Museum in February 2013, this duo brings together London's Roger Turner on percussion with Japan's own Otomo Yoshihide on guitar and amplifier, an improv meeting of two masters with very different but equally impressive histories. Across four tracks ranging in length from four to sixteen-and-a-half minutes--forty minutes altogether--they give an object lesson ...
Stew Cutler Guitarist/ Composer: So Many Streams
by C. Michael Bailey
New York City guitarist and composer Stew Cutler began his professional career at 19-years old with ZZ Hill. The easy, downhome groove of Hill's blues stuck with the young Cutler and after time away, he carried them back to New York City, refined and polished. Cutler's musical facility was equally refined and polished. ...
Adam Birnbaum: Three of a Mind
by Karl Ackermann
Pianist/composer Adam Birnbaum has performed in the company of diverse leaders such as traditionalist trumpeter Wynton Marsalis, the edgier saxophonist Greg Osby and the eclectic composer/conductor Darcy James Argue and his Secret Society. On one hand Birnbaum is a change agent having utilized three different rhythm sections in as many outings as a trio leader. He ...
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