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Dimitri Sillato Luminal: Schwarze Seele
by Neri Pollastri
Disco assai originale, questo del quintetto Luminal di Dimitri Sillato, musicista tra i meno esposti della scuderia del Gallo Rojo ma non per questo meno interessante. Il suo gruppo esiste da qualche anno (la stessa registrazione è del novembre del 2012) e qui presenta la sua prima documentazione discografica. Tutte le composizioni sono originali di Sillato ...
Zhenya Strigalev's Smiling Organizm: Robin Goodie
by Dan Bilawsky
Saxophonist Zhenya Strigalev's Smiling Organizm is an outfit that grooves, sputters, stutters, swings, skulks, and slaloms its way through the dark and funky, slick and dangerous, and wholly gripping music presented on Robin Goodie. Strigalev paints striking, rhythmically vivacious canvases here with some help from five American heavyweights--trumpeter Ambrose Akinmusire, drummer Eric Harland, ...
Michelle Lordi: Drive
by Victor L. Schermer
It's difficult to conceive how this wonderful album of restrained and subtly rendered ballads came to be called Drive, a term which leads the listener to expect a package of revved up swing or rock. However, you don't have to be a cryptologist to realize that it comes from the last track, “Drive," which contains the ...
Manuel Valera Trio: Live at Firehouse 12
by C. Michael Bailey
Cuban pianist Manuel Valera readily extends the jazz language of his predecessors Bebo and Chucho Valdes. He is comfortable leading all band formats from septets (In Motion (Criss Cross, 2014) to solo performance (Self Portrait (Self Produced, 2014). Valera may presently be found fronting an exceptional trio performing Live at Firehouse 12. Orchestral ...
Nathan Parker Smith Large Ensemble: Not Dark Yet
by Budd Kopman
Slip Not Dark Yet into your player and STAND BACK! The Intergalactic Big Band of Doom is about to crush everything in its path. Otherwise known as the Nathan Parker Smith Large Ensemble, this absolutely burning group is simply a thrill to listen to. Smith is the composer and director of the ...
Ryan Truesdell's Gil Evans Project: Lines Of Color
by Dan Bilawsky
How do you create a follow-up to an album like Centennial-Newly Discovered Works Of Gil Evans (Artist Share, 2012)? That beauty--the debut from Ryan Truesdell's Gil Evans Project--was more than a standout record; it was an artistic tour de force and a recording for the ages. In crafting that album, Truesdell married his archeological skills, curatorial ...
Sweet Defeat: Sweet Defeat
by Mark Corroto
If film director Jim Jarmusch had been born in Ghent, Belgium, instead of Cuyahoga Falls, Ohio, he probably would have used the trio Sweet Defeat to score his early movies instead of John Lurie. This Belgian trio of multi-reed player Tom Wouters (Flat Earth Society), guitarist Bert Dockx, and cellist Lode Vercampt create a sort of ...
Colin Vallon Trio: Le Vent
by Hrayr Attarian
Swiss pianist Colin Vallon's fourth release as a leader, Le Vent is a truly collaborative effort that eschews individual solos in favor of a haunting, collective sound. The results are atmospheric and exquisitely formalistic. This is not to suggest that, because of its ambient nature, the album is without substance. On the contrary, its structure becomes ...
Karl Latham / Ryan Carniaux / Mark Egan: Constellations
by Fiona Ord-Shrimpton
If you happened to be in vitro fed Isao Tomita during your pre-personage, you're going to recognise Karl Latham's Constellations electronica subliminally--regardless any jazz/Bjork connections. 70's Japanese synth/horn, space music trembling has that tendency to unhinge a certain primeval magic. Space music in the 21st Century has less artefacts than the 70s first steppers, and more ...
Tomoko Omura: Roots
by Ian Patterson
The roots of the title of violinist Tomoko Omura's second CD as leader refer to traditional and popular melodies familiar to several generations of Japanese. But if the melodies of Omura's childhood have left an indelible stamp on her musical DNA, so too has the past decade spent in America absorbing the roots of jazz. It's ...
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Live Review
Arcanum at Victoria Nasjonal Jazzscene, Oslo
Phil Schaap's Jazz Room
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801 Live at 50: A Short-Term Experiment with a Long-Lasting...
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