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Anthony Braxton: Trio and Duet
by Stefano Merighi
Nuova edizione per Trio and Duet, splendido album di Anthony Braxton datato 1974, l'ultimo prima dell'importante contratto con la Arista e della improvvisa e sorprendente fama del compositore e sassofonista di Chicago. Fino a quel momento Braxton aveva lottato non poco per veder riconosciute le sue ambizioni di compositore, qui documentate dalla prima facciata del vecchio ...
Phil Woods, Vic Juris: Songs One
by Alberto Bazzurro
Dodici più o meno celebrati standard, raccolti in un arco temporale di oltre trent'anni (ogni titolo reca accanto il suo bravo “anno di nascita," che la nostra tracklist conserva) costituiscono il trampolino di lancio per questo nuovo album (incisione del dicembre 2014) dell'ottantatreenne sassofonista di Springfield. Gli è accanto il chitarrista Vic Juris, di cui abbiamo ...
Matthew Stevens: Woodwork
by Dan Bilawsky
Guitarist Matthew Stevens has already made a name for himself through his work with artists like trumpeter Christian Scott, saxophonist Walter Smith III, drummer Terri Lyne Carrington, and bassist-vocalist Esperanza Spalding. But he shouldn't be pigeonholed as a support player or viewed simply as sideman du jour in the eyes of the jazz world. That would ...
Amir ElSaffar and the Two Rivers Ensemble: Crisis
by Hrayr Attarian
On his third album with the Two Rivers ensemble, Crisis trumpeter and composer Amir ElSaffar continues to explore the Arabic Maqam modal system. He uses this melodic type in a context with strong American influences and particularly jazz sensibilities. The result is not merely a superficial, kitschy fusion but true marriage of two improvisational traditions.
Walt Weiskopf: Open Road
by Blaine Fallis
"Premonition" was the perfect opening tune on Walt Weiskopf's Open Road album, because it sets the tone. It even matches the album cover...we're going somewhere fast, barely able to quite focus in due to the speed. But it's exciting! Bassist Mike Karn drives the band until 1:45 when he and pianist Peter Zak suddenly ...
Maria Schneider Orchestra: The Thompson Fields
by Karl Ackermann
At the time Maria Schneider released Evanescence (Enja, 1994), big band jazz--especially in the US--was overly predictable and indecisively hanging on like ballroom music in a ghost town. Schneider, while embracing the best practices of earlier legendary big band leaders and her mentors, Gil Evans and Bob Brookmeyer, had added unconventional elements to her own compositions. ...
Jerry Granelli: What I Hear Now
by Vincenzo Roggero
What I Hear Now è un gioiellino di eleganza, sobrietà, passione, musicalità. Al settantaquatrenne Jerry Granelli sono sufficienti trentotto minuti scarsi per mettere in campo una vita dedicata alla musica -quella senza confini e senza barriere, dalle session free della San Francisco anni sessanta alle sedute psichedeliche con Sly Stone passando per gli storici trio con ...
Gebhard Ullmann Basement Research: Hat and Shoes
by Alberto Bazzurro
Una partenza decisamente lanciata, per poi ricondurre il tutto lungo binari concentrati e anche cerebrali più tipici di Ullmann (che del resto non disdegna impennate più vociferanti e corrugate, come qui accade per esempio in “Don't Touch My Music"), dà la stura a questo nuovo album del polistrumentista tedesco, il cui livello riporta per l'ennesima volta ...
Julian Lage: World's Fair
by Mark F. Turner
Guitarist Julian Lage's chameleon-like abilities have covered many styles from jazz in ensembles with vibraphonist Gary Burton and drummer Eric Harland to avant-free expressions with guitarist Nels Cline in Room (Mack Avenue, 2014) and folksy bluegrass with Punch Brother's member Chris Eldridge in Avalon (Modern Lore, 2014). A phenomenal technician Lage is more importantly a player ...
Sam Taylor: My Future Just Passed
by Dan McClenaghan
One spin of saxophonist Sam Taylor's debut CD, My Future Just Passed, and it's not hard to tell where he's coming from, influence-wise. He's a traditionalist with a muscular sound, and you hear Coleman Hawkins, Ben Webster, and bringing things forward in time, perhaps Dexter Gordon, and on this particular trio affair at hand, Sonny Rollins ...
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Bill Bruford And Pete Roth: A One-Of-A-Kind Juxtaposition
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Scott Kinsey: Thought Distortions and the Art of the Left...
Reanimating Conversations Past
John Scofield: Meant To Be
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The Quiet Cruelty of the Music Business
Phil Schaap's Jazz Room
Franc Williams: Live From The West End
Live Review
Arcanum at Victoria Nasjonal Jazzscene, Oslo
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