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Waxwing: A Bowl Of Sixty Taxidermists
by Dan Bilawsky
The second album from this Vancouver-based trio--originally going by Wilson/Lee/Bentley, now known as Waxwing--is a study in contrasts. Idiosyncratic miniatures sit shoulder to shoulder with statements of serenity, eerie constructs and macabre scenarios are quickly replaced with comforting sounds, and uncertainty peaks around every corner. But there's a distinctive group sound and aesthetic here that transcends ...
Walt Weiskopf: Open Road
by David A. Orthmann
It all starts with the sound of Walt Weiskopf's tenor saxophone. Large, keening, expansive, his tone sometimes threatens to explode and wreak havoc on everything it touches. During lyrical passages and on ballads, he scales the sound back a little, waxing sensitive, tender, even poetic, but not abandoning its core--the moderation usually doesn't last very long. ...
The Chuck Israels Jazz Orchestra: Joyful Noise
by Edward Blanco
Veteran bassist, arranger/composer Chuck Israels has had the good fortune of performing and recording with some of the best jazz musicians on the planet including legends and icons from Billie Holiday, Benny Goodman, Coleman Hawkins to John Coltrane and Stan Getz among many others, though he is best associated with the Bill Evans Trio from 1961 ...
William Schimmel: Theater of the Accordion
by C. Michael Bailey
Long-time instructor at Julliard and all-around guru of the accordion, Dr. William Schimmel is a musical force of nature. Not a household name? Go to YouTube and type in “Scent of a Woman Tango" and watch the clip. Schimmel is sitting on the right of the band. That is who he is. He plays the accordion. ...
Kevin Hays: New Day
by Luca Muchetti
Jazz ma ancora più soul e funk segnano il ritorno in studio di Kevin Hays, il quarantasettenne pianista newyorkese che per la Sunnyside licenzia questo piacevole New Day, album da gustare tutto d'un fiato lungo le 12 tracce che, insieme a tanti brani originali, includono anche un paio di cover eccellenti. La parata ...
Brian Carpenter’s Ghost Train Orchestra: Hot Town
by Vincenzo Roggero
Brian Carpenter e la sua Ghost Train Orchestra proseguono la meritevole opera di recupero e talvolta di riscoperta della musica americana della prima metà del secolo scorso. Se nel precedente Book of Rhapsody l'attenzione era rivolta a quegli autori -Alec Wilder, John Kirby tra gli altri -alla ricerca di una via che apparentasse il jazz tradizionale ...
Lena Hovanesian: irwinorange
by Dan McClenaghan
In assigning colors to a musician's “sound," does alto saxophonist Lena Hovanesian blow orange? Maybe. On her debut CD, irwinorange, the title taken from the 2014 Franklin Evans' painting of the same name, Hovanesian's alto has a citrus-y tang, as she explores, sonically, her love of abstract art and natural beauty of Hawaii and her native ...
Satoko Fujii Tobira: Yamiyo Ni Karasu
by Karl Ackermann
If ever there were a restless musical spirit, it would be pianist, composer (and occasional accordionist) Satoko Fujii. The Japanese artist has issued more than sixty recordings in settings from solo to full orchestra and most everything in between. While she demonstrates virtuosic straight-ahead balladry on occasion, her preference has long leaned toward unorthodox improvisation. Fujii ...
Debby Moore: My Kind Of Blues
by James Nadal
For the record hounds (you know who you are) out there that seek and scavenge the garage sales and flea markets for old albums, there is such a thing as redemption. After scoring My Kind Of Blues by singer Debby Moore at a flea market for one dollar, further research revealed a mysterious back story with ...
Tim Daisy: October Music – 7 Compositions For Duet (Vol 1)
by Giuseppe Segala
Nel suo libro Ein Fenster aus Jazz (Una finestra sul jazz), il compianto Joachim Ernst Berendt dedica un intero capitolo all'Arte del duo, sottolineando come in tale contesto ancora più che in altre occasioni la relazione umana intensa sia indispensabile. Il duo nel jazz mette in scena un dialogo più serrato, più complesso, più rischioso e ...
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