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Pat Bianchi Trio: A Higher Standard
by Dan Bilawsky
Fiery displays, lyrical expressions, bluesy statements, punchy interludes, torrential downpours of notes, and space-conscious thoughts all come to the surface on this well-crafted trio date from rising star organist Pat Bianchi. While Bianchi has drawn a lot of attention for his sideman work with such high profile artists as saxophone legend Lou Donaldson, ...
Blues Evolution: Inspired
by Chris Mosey
Georgia White sang, “the blues ain't nothin' but a good woman feelin' bad." Duke Ellington came up with the music's most poetic definition. The blues, said Ellington, was “a dark cloud marking time." For a long time, musically, the blues wasn't nothin' but a simple 12-bar progression, one played and sung by blacks. ...
Ikarus: Echo
by Budd Kopman
Music has the extraordinary power to alter time and space for its duration, as well as being used to arouse emotions. The terms “abstract" and “concrete" are often used to describe particular music in a way that is widely understood, and yet the actual definitions remain elusive. Echo, from the band Ikarus, contains music ...
Glenn Zottola: Miles Davis Remembered
by Nicholas F. Mondello
A young musician's mind can be so very impressionable, so capable and available to lock onto a recording, a phrase or texture and hold it. The effect is almost nuclear--one note, perfectly placed by the performer and into a young listener's ear, can set into play a chain of music-driven events that can spawn professional careers, ...
Alessandro Giachero Ensemble: Passio
by Alberto Bazzurro
Quarantaquattro anni, alessandrino, Giachero allarga di fatto il già più volte apprezzato trio T.R.E. con Risso e Zanoli a un quartetto da camera (però, rispetto alla configurazione canonica, con un poliflautista al posto di uno dei due violini) nell'intento--ambizioso--di creare un'opera mista (ipotesi non nuova, del resto), classica e jazz insieme. L'elemento cameristico, alla fin fine, ...
Eberhard Weber: Encore
by Luigi Sforza
Un viaggio in tredici città europee di Germania, Austria, Regno Unito e Spagna, un taccuino di appunti sonori come quello dei grandi viaggiatori dei secoli passati, una personale rappresentazione musicale di luoghi battuti, a tratti concreta, a tratti frutto di semplici suggestioni immaginarie dell'osservatore. Encore è un'epifanica illustrazione di spazi nel tempo, rappresenta uno ...
Jakob Bro: Hymnotic/Salmodisk
by Jakob Baekgaard
The exploration of different musical formats has been one of the defining characteristics of Danish guitarist Jakob Bro for a long time. It makes perfect sense when you think about Bro's approach to music. He is an artist that likes to work with different voices to see what they can bring to the music.
Tom Cox: The Journey Home
by C. Michael Bailey
Little Rock pianist Tom Cox and bassist Bill Huntington follow their plaintive, 2014 release Red (Self Produced) with the present The Journey Home. Like Red it is an exploration of spare melody with harmony on piano, propelled by Huntington's certain time. It is a crepuscular recital of mood pieces, warmly conceived as if at the end ...
Chicago Reed Quartet: Western Automatic
by John Sharpe
After a heyday in the late 1970s which saw the World Saxophone Quartet, ROVA and the 29th Street Saxophone Quartet, to list but three of the more celebrated, strutting their stuff, the format has undergone a hiatus more recently. However it remains firmly established as an instrumental configuration and perhaps the only surprise is that it ...
Romain Vuilleman: Swinging In Paris
by Budd Kopman
Anyone who needs a lift from current state of the world could do much worse than popping Swinging In Paris into the player and be transported back to the late 1930s and Django Reinhardt's Quintette du Hot Club de France. Guitarist Romain Vuillemin's quartet (guitarist Stephan Nguyen, violinist Guillaume Singer and bassist Jeremie Arranger) ...
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