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Tal Blumstein Trio: New York - Tel Aviv
by Nathalie Tamara Freson
Yes, modern jazz is still very much present among the younger generation, and Tal Blumstein proves it with his debut, New York-Tel Aviv. Freshly out of the New School for Jazz and Contemporary Music, Blumstein teams up with two other Israeli-born jazz musicians who have already made their mark on the New York jazz scene: bassist ...
Shai Maestro Trio: Untold Stories
by Dan Bilawsky
Hearing the Shai Maestro Trio is like awakening to a new world: a world of wonders, excitement, beauty, and uncertainty. Sounds of intrigue, expressions of joy, introspective thoughts, and heightened intensity all come to the fore at one time or another as Maestro, bassist Jorge Roeder, and drummer Ziv Ravitz open up and share themselves through ...
Enrico Rava Quartet with Gianluca Petrella: Wild Dance
by Karl Ackermann
The senior statesman, and easily the most recognizable name in Italian jazz, trumpeter Enrico Rava returns with a revised quintet line up on Wild Dance. Rava, who early in his career worked with saxophonist Steve Lacy, pianist Mal Waldron and trombonist Roswell Rudd, later went on to team with drummer Tony Oxley and sit in with ...
Anthony Ocaña & Nelson Ricart-Guerrero: In Trance
by Budd Kopman
In order to fully appreciate Anthony Ocaña's intriguingly beautiful In Trance, which consists of six multi-level instrumental tracks (some with choral background) followed by a twenty-minute recitation of the poem La luna o los ritos del amor," written by Nelson Ricart-Guerrero, it is necessary to understand the inspiration for both. The music is inspired ...
Thollem McDonas / Michael Wimberly / Nels Cline: Radical Empathy
by Dave Wayne
Radical Empathy is the second in a series of three musical encounters between keyboardist and musical instigator Thollem McDonas and multi-disciplinary guitar whiz Nels Cline. The first collaboration, titled simply The Gowanus Session (Porter Records, 2008), featured bassist William Parker and was notable for its resolute resistance to free jazz cliché. Uncannily, it found Cline, McDonas, ...
Birmingham Jazz Orchestra: Burns
by Bruce Lindsay
The Birmingham Jazz Orchestra--that's Birmingham, England--formed in the fall of 2014, just a few months before recording Burns, its debut album of tunes written by director/conductor Sean Gibbs. The maturity of the writing and playing, the strength of the sections and the verve of the solos belies the inexperience of the ensemble--this is a strong first ...
Satoko Fujii Orchestra Berlin: Ichigo Ichie
by Budd Kopman
The huge dual drum opening of part 1 of the title piece is a clear signal that with Ichigo Ichie, pianist/composer/conductor Satoko Fujii is not going to hold back when introducing her latest orchestral group of Berlin (which she now calls home). Orchestra Berlin is Fujii's fifth such group (after creating and recording with orchestras in ...
John Wetton and the Les Paul Trio: New York Minute
by Glenn Astarita
A elite member of progressive rock super-groups King Crimson, UK and the pop rock platinum selling band Asia , bassist, vocalist John Wetton engages the pop standards route, recorded live at New York City's prominent jazz venue, The Iridium. In the album notes Wetton divulges his love for midtown Manhattan, hearkening back to his days with ...
Fred Hersch: Solo
by Dan Bilawsky
When it comes to the art of solo piano in jazz, there are currently two classes of performers: Fred Hersch and everybody else. A statement such as that might spur the jazz cognoscenti to ready the pitchforks and torches, but that threat doesn't make that claim any less true. Keith Jarrett may surpass ...
Mitchel Forman Trio: Puzzle
by Dan Bilawsky
Any good band, and this trio in particular, can be likened to a puzzle, with the players complementing one another and coming together to form a full picture. According to pianist Mitchel Forman, the listener is the final piece of that puzzle, completing the entire idea and experience behind creating and sharing music. After hearing this ...

