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Joyce Elaine Yuille: Welcome to My World
by Angelo Leonardi
Chi ama quell'universo musicale in cui s'incontrano soul e pop music, jazz d'annata, funk, musiche latine e quant'altro (il termine nu jazz può aiutare anche se fuorviante), conosce bene la Schema Records, l'etichetta di Luciano Cantone che ha prodotto tra gli altri Mario Biondi, Nicola Conte, Rosario Giuliani e s'appresta a ripubblicare alcuni classici del Perigeo. ...
Oscar Perez: Prepare A Place For Me
by Dan Bilawsky
If Oscar Perez hadn't taken to the piano, he might've had a promising career in music journalism. In the concise and profound liner essay for this album, Perez intelligently considers the meaning of music, the struggles and joys connected to the art of creating and performing, and the way an individual's very being seeps into the ...
Geof Bradfield Quintet: Our Roots
by Dan McClenaghan
Discussing “roots" in the context of jazz, a good starting point is the Mississippi delta, down in New Orleans, where the music of trumpeters King Oliver and Louis Armstrong grew strong. And then there's the rich earth of the delta in north western Mississippi, up near Clarksdale, where the blues grew and blossomed. The roots from ...
Gabriel Vicéns: Days
by Edward Blanco
Young Puerto Rican-born guitarist Gabriel Vicens unveils his second album as leader with the audacious Days documenting a nine-piece program of infectious modern jazz with a touch of the Latin flavor to make it interesting and quite appealing. A graduate from the Conservatorio de Musica de Puerto Rico, the twenty-seven-year old musician is currently professor at ...
Julia Hulsmann Quartet w/ Theo Bleckmann: A Clear Midnight - Kurt Weill and America
by Neri Pollastri
Cambia ancora la formazione del gruppo diretto dalla pianista tedesca Julia Hülsmann, includendo adesso--oltre la tromba e il flicorno di Tom Arthurs, arrivato nel precedente lavoro--anche la voce del talentuoso ed eclettico vocalist tedesco Theo Bleckmann. Tale allargamento è legato al particolare progetto alla base di questo CD: riprendere e reinterpretare la musica di Kurt Weill. ...
Admir Shkurtaj: Katër i Radës. Il naufragio
by Alberto Bazzurro
Quarantasei anni, albanese, Admir Shkurtaj approda nel 1991 a Lecce, dove, partendo da basi classico-contemporanee (e ovviamente dal folklore del suo Paese), incontra il jazz e la musica salentina, divenendone interprete e studioso. Molto incline all'atto compositivo, inizia a coniugare nella propria produzione tale complessità di input, finché nel 2014 la Biennale di Venezia gli commissiona, ...
Romain Collin: Press Enter
by Karl Ackermann
On his way to creating this extraordinary album, French pianist Romain Collin had the opportunity to chat with Wayne Shorter about those who delay and defer their aspirations. Shorter's two word strategic summation would become the title for this project, Press Enter. Now a New York City resident, Collin did not begin his musical journey through ...
Tom Hewson Trio: Treehouse
by Bruce Lindsay
Treehouse, album number two from the young British pianist Tom Hewson, finds him working in a trio (which is also known as Treehouse) alongside two more of the brightest young players on the UK jazz scene--bassist Calum Gourlay and vibes player Lewis Wright. It's a lyrical and engaging collection--mostly of Hewson's own compositions--with the relatively rare ...
Igor Osypov Quintet: I
by Dave Wayne
A native of Ukraine currently studying at Jazz Institute Berlin under Kurt Rosenwinkel, guitarist Igor Osypov was initially drawn to the guitar as a pre-teen via rock and punk-rock. Osypov's debut album I is, on the surface, the type of sunny, moderately complex, indie-rock inflected jazz that's the stock-in-trade of guys like Brian Blade, David Binney, ...
Adam Scone: I Scream Scone!
by Edward Blanco
Organist Adam Scone has played many styles of music throughout his career, from funk, rock, blues, other styles to yes, jazz and in 2013 after performing as a sideman on a saxophonist Ian Hendrickson-Smith recording, decided to consider documenting his first twenty-years playing jazz and ballads and to this end, I Scream Scone! was conceived and ...
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Interview
Bill Bruford And Pete Roth: A One-Of-A-Kind Juxtaposition
Interview
Miles Okazaki's Monkathon: The Complete Thelonious...
Interview
Scott Kinsey: Thought Distortions and the Art of the Left...
Live Review
Isaiah Collier Plays Coltrane: Live at Jazz Alley in Seattle
Reanimating Conversations Past
John Scofield: Meant To Be
From the Inside
The Quiet Cruelty of the Music Business
Phil Schaap's Jazz Room
Franc Williams: Live From The West End
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