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The 14 Jazz Orchetra: Nothing Hard is Ever Easy
by Edward Blanco
Under the direction of arranger/conductor and educator Dan Bonsanti, The 14 Jazz Orchestra delivers its debut recording with Nothing Hard Is Ever Easy presenting a repertoire of contemporary jazz containing and offering of mainstream, fusion, pop, gospel-styled and classical-tinged elements that make this first effort, one varied musical statement. This fourteen-piece light ensemble is comprised of ...
Marie-Pierre Langlamet: Schubert
by C. Michael Bailey
Marie-Pierre Langlamet is the principal harpist for the Berlin Philharmonic Orchestra. She recently joined forces with Canadian violinist Lara St. John for a novel take on Bach on Bach Sonatas (Ancalagon, 2012). On Schubert Langlamet takes the helm of a project, released on Lara St. John's label Ancalagon Records, focusing on the music of Franz Schubert ...
Matt Mitchell: Vista Accumulation
by Mark Corroto
Growing up in a neighborhood, how do you get from, “Hey you kids, get off of my lawn!" to “Congratulations, Mr. Mitchell, on your son winning the Doris Duke Impact award and being named a Pew Fellow"? We are talking about the musical, not the suburban neighborhood here and in seemingly a blink of an eye, ...
The Necks: Vertigo
by Mark Sullivan
The Necks don't swing. Since they are sometimes described as an “experimental jazz trio," it seems best to just put that on the table at the outset. I hesitate to call their music “free improvisation," as well, because of the abrasive, dissonant qualities so often found in that music--which doesn't describe The Necks at all. What ...
Made To Break: Before The Code
by Mark Corroto
No band has ever attempted to bridge the sounds of free improvisation, funk, and electronics before Ken Vandermark formed the quartet Made To Break. The groups fourth release Before The Code pushes the musical envelope a bit more into the stratosphere, maybe even into the musical mesosphere. The saxophonist and composer whose credits include ...
Matt Mitchell: Vista Accumulation
by Hrayr Attarian
Composer and pianist Matt Mitchell creates haunting and vibrant soundscapes on his second release for Pi Records, Vista Accumulation. The eight, multilayered, originals that comprise the double disc set are organically fluid in structure with a tense ambience and a barely contained fervor within. Saxophonist and clarinetist Chris Speed opens the stimulating “The Damaged ...
Marilyn Crispell / Gerry Hemingway: Table Of Changes
by John Sharpe
Although Table of Changes is only the third release from the pairing of pianist Marilyn Crispell and percussionist Gerry Hemingway, it comes relatively hot on the heels of Affinities (Intakt, 2011) which broke a long silence since Duo (Knitting Factory, 1989). The paucity of these occurrences belies an extensive shared tenure, both as part of reedman ...
Jag vet en dejlig rosa (A Beautiful Rose): Come Rain or Come Shine
by C. Michael Bailey
Stockholm Voices is a Swedish jazz vocal quartet who join the company of Manhattan Transfer, New York Voices and the newly minted London, Meader, Pramuk and Ross. But, Stockholm Voices brings something very different to the tables in the way of a retrospective style. Rather than the bebop lightening bolts thrown off by the greater field ...
Vincenzo Vasi, Valeria Sturba: Ooopopoiooo
by Vincenzo Roggero
Vincenzo Vasi è artista eclettico come pochi, multistrumentista anarchico e allergico alle convenzioni, oltre che massimo specialista del theremin. Valeria Sturba è giovanissima violinista tutta da scoprire, collaboratrice di cantautori e gruppi jazz alternativi, anch'essa apprezzata interprete dello strumento elettronico inventato nel lontano 1919. Insieme danno vita a Ooopopoiooo, una sorta di concerto per due theremin, ...
Mette Juul: There Is a Song
by Angelo Leonardi
Dopo aver debuttato nel 2010 nel ruolo della classica jazz singer (Coming in from the Dark, Cowbell Music), la danese Mette Juul ha iniziato a privilegiare le intime atmosfere della ballad d'autore, sul modello Joni Mitchell. Il cambiamento faceva capolino nel secondo disco (Moon on My Shoulder, Calibrated 2012), ancora ricco di intense versioni jazzistiche di ...
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