Home » Search Center » Results: CD/LP/Track Review
Results for "CD/LP/Track Review"
Spanglish Fly: New York Boogaloo
by Chris M. Slawecki
Even down to its very sound, boogaloo" is a curious word that represents a curiously Latin American music, born during the 1960s immigration wave that spread from Puerto Rico into New York City and simultaneously growing like a friendly weed in and around the pop, soul, rock, and jazz musical cultures that were blooming throughout the ...
Tubby Hayes: The Syndicate - Live At The Hopbine 1968 Vol. 1
by Roger Farbey
Out of all the Tubby Hayes archival releases over the past few years, this one should by rights generate more than passing interest for several reasons. Expertly mastered by Gearbox from the original tapes and released on vinyl and digital download, it contains four gems, but one of the chief reasons for getting hold of it ...
Ozo: A Kind Of Zo
by John Sharpe
There's a strand of Portuguese music which oscillates between the points of a triangle formed by improv, ambient and minimalism. Ozo, which comprises erstwhile classical pianist Paulo Mesquita, and rock/pop drummer Pedro Oliveira, sits somewhere in the centre of that triangle. The dominant characteristic of the nine jointly-credited cuts is a pretty melodicism allied to a ...
Doug Mosher / John Estes: Southern Lights
by Jack Bowers
After listening to Southern Lights, a series of extremely low-key tone poems by tenor saxophonist Doug Mosher and bassist John Estes, two questions spontaneously arise: first, where is the audience for an album that glides gently along on an unflagging current of somnolence? (the term smooth jazz" springs to mind, but even that genre produces an ...
Ella Fitzgerald: Live at Chautauqua: Volume 1
by James Doherty
Live at Chautauqua, Volume 1 (Dot Time Records) captures Ella Fitzgerald in concert in July 1968. Accompanied by the Tee Carson trio, the eclectic programme ranges from her 1938 breakthrough hit A-Tisket A-Tasket" through to contemporary pop and Broadway tunes, taking in some selections from her famed songbook series along the way. As Ella explains on ...
Ithamara Koorax: All Around the World
by Chris M. Slawecki
All Around the World represents several milestones for firebrand Brazilian vocalist Ithamara Koorax: It marks her twentieth release as a leader, celebrates the 25th year of her career, and, just like her first official release (Ithamara Koorax Live in Rio [1993, JVC]), All Around the World comes digitally straight from the soundboard, with no overdubs or ...
Fred Hersch: Solo
by Maurizio Zerbo
Compiuti i sessanta anni, Fred Hersch ha ormai conseguito la meritata notorietà che però lo ha portato alla sovraesposizione discografica. Questo suo recente progetto è imperniato sulla rielaborazione di un vasto repertorio che include jazz, bossa nova, musica eurocolta, pop. Come era lecito attendersi da un musicista di vaglia come lui, prevale la logica della decostruzione ...
Le Pot: Hera
by Vincenzo Roggero
Secondo capitolo di una trilogia iniziata con She e che si concluderà con l'episodio intitolato Zede, Hera ci presenta un quartetto svizzero molto interessante per visione musicale e approccio interpretativo. Registrata presso la Burgkirche St. Romanus nel villaggio svizzero di Raron, la musica interagisce con la severa architettura della cinquecentesca chiesa. Ne assorbe semplicità, purezza di ...
Elif Çağlar: Misfit
by Dan Bilawsky
Elif Çağlar sure knows how to put together a band. For her sophomore release, this Istanbul-based vocalist--a former pupil of Sheila Jordan--enlisted three modernist luminaries to help light the way: drummer Eric Harland brings his usual rhythmic ingenuity, energy, and play-for-the-song perspective to the production; bassist Harish Raghavan--Harland's bassist of choice for his own Voyager project--is ...
Rich Halley 4: Eleven
by Mark Sullivan
Saxophonist Rich Halley again leads his empathetic quartet through eleven new compositions on this thoroughly engaging session. It's the sixth album by the group (Halley on tenor saxophone, trombonist Michael Vlatkovich, bassist Clyde Reed and drummer Carson Halley) and they display a remarkable chemistry throughout. Halley provides very distinctive compositions as starting points--he gives a brief ...

