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Didier Verna: Roots and Leaves
by Roger Farbey
Don't judge a book a book by its cover or a recording by its first track. “Old Times" is certainly that, a paean to the swinging age of the Quintet of the Hot Club of France and guitarist Didier Verna displays his considerable talent with a nimble solo, as do each of the other members of ...
Matthew Muneses: Threshold
by Roger Farbey
The fast-paced “Speech Perception" offers a dramatic and modal introduction to this album. Tenor sax and trumpet play vibrant solos all underpinned by the rhythm section and solid piano chords, redolent of McCoy Tyner. The mood changes with “Simple Times" which presents an ensemble opening to this pastoral piece embellished by Matthew Muneses sensitive tenor sax ...
De Beren Gieren: One Mirrors Many
by John Sharpe
Still looking to breathe life into the venerable piano trio format, Belgian threesome De Beren Gieren (The Bears Shriek would be one translation) present their fourth album following The Detour Fish (Clean Feed, 2014), A Raveling (De Beren Records, 2013) and Wirklich Welt So (El Negocito, 2012). Leading the charge pianist Fulco Ottervanger helms an unchanged ...
Joe McPhee / Jamie Saft / Joe Morris / Charles Downs: Ticonderoga
by Glenn Astarita
The premise for this get together commenced with discussions by pianist Jamie Saft and bassist, guitarist Joe Morris who plotted to meld their influences from John Coltrane's Live at the Village Vanguard Again (Impulse, 1966) album, along with celebrated artists, trumpeter, reedman Joe McPhee and drummer Charles Downs. Moreover, the band moniker Ticonderoga is a Mohawk ...
Mundell Lowe / Lloyd Wells / Jim Ferguson: Poor Butterfly
by Dan Bilawsky
Few people could ever claim to have played and/or recorded with such a storied list of performers as Sarah Vaughan, Ben Webster, Billie Holiday, Charlie Parker, Carmen McRae, Ella Fitzgerald, Blossom Dearie, Dizzy Gillespie, Bill Evans, and Lester Young. But Mundell Lowe can. In fact, that list barely scratches the surface when it comes to the ...
Signe Bisgaard: Meander
by Jakob Baekgaard
A big ensemble often equals a big sound, but sometimes it is more interesting to think about the potential of sound rather than the idea of using all instruments at once. The Danish composer and pianist, Signe Bisgaard, thinks about the potential of sound on her album Meander. She does not use all ...
Bobby Matos Afro Latin Jazz Ensemble: Bobby Matos: Ritmo & Blues
by Chuck Koton
Fate blessed Bobby Matos. For a kid who dreamed of growing up to be a Latin jazz musician, he could not have been born in a more fortuitous time and place. In the years after World War Two, Nueva York's Hispanic population exploded. Between the years 1940 and 1960, the number of Puerto ...
Luís Lopes/Jean-Luc Guionnet: Live At Culturgest
by Mark Corroto
All great art invokes the imagination. Think of your favorite movie and the two hours of viewing that transported you into a different world. Music can accomplish the same ends. Take this live date at Culturgest in Lisbon. The meeting between Portuguese guitarist Luís Lopes and French saxophonist Jean-Luc Guionnet creates that same cathartic response.
Martin Küchen/Jon Rune Strøm/Tollef Østvang: Melted Snow
by John Sharpe
Not Quite All Included or Some Included might be appropriate names for the trio of Swedish saxophonist Martin Küchen, and Norwegian bassist Jon Rune Strøm and drummer Tollef Østvang. Reason being that the repertoire on Melted Snow partially replicates that on Satan in Plain Clothes (Clean Feed, 2015) by All Included, which comprises the same threesome ...
Claudio Sanna: Ammentos
by Mark Corroto
A new voice worthy of your consideration is Sardinian pianist Claudio Sanna. His debut Ammentos, or “Memories,' finds a fully developed mature sound that is formed by classical music, but as with many jazz artists, open to other musics. Classically trained artists like Sanna, Keith Jarrett and Herbie Hancock before him, can also be ...
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