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Janet Feder: T H I S C L O S E
by Eyal Hareuveni
Colorado-based guitarist Janet Feder has developed a highly personal musical language, drawing inspiration from folk, jazz, minimalism, classical, avant-garde and even pop. Since the early nineties she began experimenting with her guitar, preparing it in different tunings, attaching objects to the strings, developing a unique original sound of her own. T H I S ...
Sant'anna Arresi Quintet By Evan Parker: Filu ‘E Ferru
by Mark Corroto
The differences between British free jazz and American is an often debated subject. Certainly in the 1960s, at the genesis of free playing, the ocean's divide between continents was easily identifiable. The African and African/American tradition of Jazz informed the experiments of the Art Ensemble of Chicago, John Coltrane, and Anthony Braxton, while the UK players ...
Darius Jones Quartet, Emilie Lesbros: Le bébé de Brigitte (Lost in Translation)
by Alberto Bazzurro
La Brigitte del titolo è Brigitte Fontaine, artista “totale" (cantante, poetessa e altro ancora) francese, oggi settantaseienne, che fra le tante esternazioni del suo talento nel 1970 registrò un album, Comme à la radio, con l'Art Ensemble of Chicago. A lei il trentasettenne altoista Darius Jones, nativo della Virginia, dedica questo suo nuovo lavoro, per il ...
Gileno Santana: Metamorphosis
by Luigi Sforza
Metamorphosis è un disco visionario, post moderno, fittamente popolato di scene jazz-rock, progressive ed elettro free. Il climax di molti brani raggiunge il massimo grado di pienezza dialettica soprattutto quando seguono la logica espressiva dell'instant composer. Il disco è un concentrato di stilemi. Nella prima traccia, “Introduction," si coagulano e stratificano alcuni ...
Steve Colson: Tones For
by Giuseppe Segala
Esponente della seconda onda generazionale dell'AACM e insieme a Chico Freeman pupillo di Fred Anderson e allievo di Muhal Richard Abrams, il pianista Steve Colson, detto Adegoke dal nome yoruba corrispettivo di Steven, riflette nel proprio approccio stilistico la varietà a tutto campo metabolizzata in uno scenario coerente, come è tipico di quella scuola. Radici blues ...
Katie Bull: All Hot Bodies Radiate
by Alberto Bazzurro
Quinto album per la cantante e autrice newyorchese Katie Bull, le cui coordinate espressive spaziano da una vocalità jazz non eccessivamente ortodossa a infiltrazioni di matrice contemporaneo-colta (quella sorta di recitarcantando che segna quasi tutte le sue sortite), senza eludere del tutto refoli di ascendenza per così dire prog-song. L'interlocutore privilegiato della voce, ...
Scott Jeppesen: Wonders
by Dan Bilawsky
Ancient history and current times collide on the sophomore release from California-based tenor saxophonist Scott Jeppesen: with Wonders, he offers up an intelligent, semi-programmatic look at the Seven Wonders of the Ancient World as seen through a modern jazz lens. Jeppesen, a once-upon-a-time protégé of saxophonist Joe Henderson and a jazz studies doctoral ...
Matthew Shipp Trio: The Conduct of Jazz
by John Sharpe
A glance at pianist Matthew Shipp's discography reveals that small group work has long been a focus. Indeed in recent times one of the prime outlets for his artistry is his classic piano trio, which ranks among the pre-eminent outfits in modern jazz. The Conduct Of Jazz represents Shipp's twelfth release in the format. Although there ...
Five Play: Live at the Deer Head Inn
by Richard J Salvucci
I haven't been to the Delaware Water Gap in Pennsylvania in years. But if I make it there, I hope to time my visit to coincide with Five Play at theDeer Head Inn, which bills itself as the “oldest continuously running jazz club in the country." Long may it prosper, for there are good musical things ...
Ken Vandermark Resonance Ensemble: Double Arc
by Mark Corroto
For the most part, we only follow the trajectory of an artist's career many years after his work has been completed. Looking back at the career of Miles Davis, you can now play connect-the-dots from bebop to Gil Evans to modal jazz to electric Miles. Certainly, back in the day, many a listener knew not where ...
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