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Christopher Zuar Orchestra: Musings
by Budd Kopman
There is no doubt that composer Christopher Zuar's debut recording Musings is an impressive achievement. The sheer overall sonic brilliance and obvious control of the instrumental forces at hand signal a talent to be reckoned with. Not even thirty at the time of the recording, Zuar's music is surprisingly mature and well conceived. The ...
Michel Nirenberg: Retrato/Portrait
by Angelo Leonardi
È un debutto particolarmente brillante questo di Michel Nirenberg, giovane sassofonista brasiliano residente dal 2012 negli Stati Uniti dove ha perfezionato la sua formazione musicale con un master's degree in music performance conseguito alla James Madison University. Nato a Rio De Janeiro in una famiglia vicina alla musica, Michel ha un solido bagaglio classico ...
Keptorchestra meets Steve Lacy: Sweet Sixteen
by Alberto Bazzurro
Ricompare uno storico album del 1994 (incisione del febbraio '93) in cui Steve Lacy, prossimo ai sessanta, si accompagnava alla veneta Keptorchestra. In aggiunta ai nove brani originari, figura oggi, giusto in apertura di CD, l'unica composizione esterna al consesso (ma certo non estranea a Lacy), la monkiana “Straight No Chaser." E fra coloro che nel ...
Quincy Jones And His Orchestra: Live In Ludwigshafen 1961
by Dan Bilawsky
Artistic dreams and financial realities are rarely in alignment. That's a sad fact that the great Quincy Jones learned the hard way at the dawn of the '60s. Jones was in Europe at the time, directing a dream orchestra that he put together for the musical Free And Easy. When that show closed in February of ...
Greg Burk: Clean Spring
by Budd Kopman
Pianist Greg Burk has built quite a discography as a leader, including solo albums and his latest, Clean Spring will only further burnish his reputation as a deep player and thinker. In a very real sense, this album is a homage to Burk's mentor Paul Bley, who had an obvious impact of Burk's musical attitude and ...
Dave Rempis/Joshua Abrams/Avreeayl Ra + Jim Baker: Perihelion
by Mark Corroto
These days, it's a luxury to have a working jazz band. It's funny to think in those terms, isn't it? Sure, that was a nice record, you think. But modern musicians, particularly jazz musician often play in multiple ensembles, in theatre productions, teach music lessons privately, and curate local music series. These things are often accomplished ...
Lisa Lindsley: Long After Midnight
by Edward Blanco
San Francisco Bay Area jazz vocalist Lisa Lindsley, unveils her second album Long After Midnight, conceived during a year-long stay in Paris and inspired after nights spent along the Seine commercial waterway and in various Parisian Cafes. Her career change to Europe was not exactly her direct choice but rather, a request from her high school ...
Jim Self and the Tricky Lix Latin Jazz Band: Yo!
by Jack Bowers
A tuba in a Latin jazz band? Jim Self, what were you thinking? No matter. Whatever you were thinking, the end result is far more agreeable than even you could have imagined. Yo! (sorry, we can't handle the upside down exclamation point) is a generally delightful album by Self's well-bred nonet, due in no small measure ...
Dawda Jobareth/Stefan Pasborg: Duo
by Karl Ackermann
Dawda Jobareth and Stefan Pasborg's Duo is unique on more than one level. A Gambian native, Jobareth is an authentic West African griot. The term--broadly associated with that region's storytellers/oral historians/minstrel artistic class--applies only to authentic griots, though the expression is widely borrowed or misused. Also unusual is the diversity of music that Jobareth has embarked ...
William Bell: This Is Where I Live
by James Nadal
Stax Records was recently revived under the umbrella of the Concord Music Group, in a commendable gesture to acknowledge the southern soul artists on the legendary label. When Stax (formerly Satellite Records) originated in 1961, one of the first artists signed was a young singer/songwriter named William Bell, who hit the charts that same year with ...
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