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Article: Album Review

Aaron Irwin Quartet: A Room Forever

Read "A Room Forever" reviewed by Neri Pollastri

by Neri Pollastri

Quartetto dall'approccio molto cameristico questo messo assieme dal clarinettista e compositore statunitense, oggi di stanza a New York. Un camerismo che viene esaltato da un lato dalla formazione, priva di batteria, e dall'altro dalle ispirazioni extramusicali delle composizioni, che fanno riferimento ai racconti dello scrittore statunitense Breece D'J Pancake, morto suicida nel 1979 a soli ventisette ...

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Article: Album Review

Tony Moreno: Short Stories

Read "Short Stories" reviewed by C. Michael Bailey

by C. Michael Bailey

Manhattan-native drummer Tony Moreno was born into and for music, his mother, Nina Dunkel Moreno, a noted harpist, pianist and educator. Oh, and he received his first drum kit at ten-years old from... Elvin Jones who became his early mentor and teacher. Moreno has had a long and storied career, filled with memories and mementos, many ...

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Article: Album Review

Stick Men: Prog Noir

Read "Prog Noir" reviewed by Glenn Astarita

by Glenn Astarita

Following up Stick Men's exhilarating recent 2-CD live set Midori (Moonjune, 2016) featuring legendary King Crimson violinist David Cross, the trio now supplements its monstrous attack with vocals, and tinted with a noir (dark) panorama via the lower tonal registers. Moreover, the King Crimson connection is in-place with current members, Tony Levin (Stick & voice) and ...

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Article: Album Review

The UNT One O'Clock Lab Band: Lab 2016

Read "Lab 2016" reviewed by Jack Bowers

by Jack Bowers

The year ending in May 2016 was quite an eventful time for the University of North Texas' flagship One O'Clock Lab Band. Besides hosting regular concerts and clinics in Denton and the surrounding area and holding its three yearly performances in Fort Worth, the band welcomed acclaimed drummer Dennis Mackrel as guest artist for its fall ...

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Article: Album Review

Jasmine Lovell-Smith's Towering Poppies: Yellow Red Blue

Read "Yellow Red Blue" reviewed by Dan McClenaghan

by Dan McClenaghan

Soprano saxophonist/composer Jasmine Lovell-Smith released her excellent debut CD, Fortune Songs in 2012, two years after her move from her native New Zealand to New York. Four years later--after studies with Anthony Braxton and a move to Morelia, Mexico--she offers a follow-up effort, Yellow Red Blue. First rate debuts set up the expectations. Sophomore ...

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Article: Album Review

Peter White: Groovin'

Read "Groovin'" reviewed by Jeff Winbush

by Jeff Winbush

Some musicians simply have an affinity for certain genres. Peter White, having assumed the crown from George Benson has established himself as the gold standard for smooth jazz guitarists and this means he now has the freedom to do whatever he wants. What White wants to do with Groovin' is demonstrate how deft a touch he ...

Article: Album Review

Andrea Lombardini: Diminuendo

Read "Diminuendo" reviewed by Daniele Vogrig

by Daniele Vogrig

Suggestivo ed evocativo, caleidoscopico per la notevole gamma di timbri e influenze ma allo stesso tempo dotato di una decisa coerenza narrativa, Diminuendo è il primo lavoro solista di Andrea Lombardini, pubblicato dalla CAM Jazz e prodotto da Johannes Wohlleben presso i Bauer Studios di Ludwigsburg nel gennaio 2016. Il giovane bassista veneziano, impegnato ...

Article: Album Review

Gavin Templeton: In Series

Read "In Series" reviewed by Luigi Sforza

by Luigi Sforza

Tenerezza e vigore, delicatezza e fermezza sostanziano la natura di In Series. Affrontando sistematicamente l'ascolto dell'album del sassofonista Gavin Templeton affiorano episodi autenticamente ispirati che, pur non prescindendo dai consolidati precetti che normano il jazz moderno, consegnano al fruitore momenti di indubbia raffinatezza musicale. “Karina," ad esempio, ha la sinuosità intrigante di una ballad tradizionale; ...

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Article: Album Review

Bobby Previte: Mass

Read "Mass" reviewed by C. Michael Bailey

by C. Michael Bailey

Finally, I understand Black Sabbath and it is about damn time. Musically, my preferences tend toward the durable and dependable blues pentatonic. That is something that, harmonically, I can understand from down in my DNA. That said, when I was a teenager, I wore into nothing, the first four Black Sabbath recordings. As much as they ...

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Article: Album Review

Ken Silverman: Guitar Fantasies

Read "Guitar Fantasies" reviewed by Hrayr Attarian

by Hrayr Attarian

With Guitar Fantasies Ken Silverman continues on the path he started on the 2015 release Parallel Man (Soundseer). The focus is again on the multifaceted melodies that simultaneously reflect elements of various genres while remaining anchored in the jazz idiom. While on Parallel Man there were more western classical motifs on the current album rock influences ...


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