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Carate Urio Orchestra: Ljubljana
by Vincenzo Roggero
L'inizio è di quelli che lasciano il segno. Un disegno orchestrale che lentamente prende forma, consistenza e vigore, masse sonore che si muovono implacabili, seguendo i binari di una scrittura rigidamente determinata, strati di suono che si accumulano, occupano lo spazio, lo rendono denso, quasi irrespirabile. Poi la deflagrazione, le corde di viola, contrabbasso e chitarra ...
Jerome Jennings: The Beast
by Dan Bilawsky
Jerome Jennings has occupied the drum throne on plenty of high profile gigs since arriving in New York just over a decade ago, working with everybody from vocalist Paula West to bassist Christian McBride and trumpeter Bria Skonberg to saxophonist Craig Handy. But his is a name that still may not be familiar to many jazz ...
Sara Bielanski: From the Heart
by Victor L. Schermer
This is vocalist Sara Bielanski's debut album, and for it she brought together a group of fine musicians with connections to the Berklee School of Music and The New England Conservatory, institutions where for well over more than a half-century many of our most outstanding players have gotten their jump start. Bielanski herself is a fine ...
Michael Dease: All These Hands
by Dan Bilawsky
Trombonist Michael Dease is never short on ideas, but this one might be his best yet: With All These Hands, Dease traces the early migratory patterns of jazz through his own well-crafted originals. He starts in NOLA and moves along to many a music mecca, including the Mississippi Delta, Chicago, Detroit, Philadelphia, Washington D.C., and New ...
Paulo Chagas/Samuel Hällkvist/Stephan Sieben: Days Are Not Days
by Mark Corroto
When an improvised recording presents itself as a meteor, some foreign object from another civilization, like Days Are Not Days does, we should rejoice that it has entered our atmosphere and like a bolide, exploded upon contact. Okay, this recording by Portuguese saxophonist and flutist Paulo Chagas, and guitarists Samuel Hällkvist, from Sweden, and ...
Koh: Seneca
by Luca Canini
Dal Giappone via New York, la conferma del talento, singolare e cristallino, della pianista Koh Ohtera, in arte semplicemente Koh. Pianista e cantante per l'esattezza, spirito inquieto e dispettoso, improvvisatrice fuori dagli schemi e sopra le righe. Alle prese con un disco, Seneca, che non è facile inquadrare al primo ascolto. Perché se ...
Fresh Cut Orchestra: Mind Behind Closed Eyes
by Vic Albani
Come dice spesso Uri Caine che di Filadelfia se ne intende giacché ci è nato, una delle migliori caratteristiche dei musicisti di quel posto è il senso del ritmo che, sorprendentemente, tutti i musicisti dell'area portano quasi geneticamente con sé. La Fresh Cut Orchestra è il risultato dell'incontro che il trombettista Josh Lawrence, il ...
John Ellis: Evolution - Seeds and Streams
by Phil Barnes
There's a temptation to assume with evolution that all of history has been leading to this point, that today's dominant species or situation will continue as such forever. Nonsense of course, think of the changes in the lifetimes of current generations and it's clear that evolution is not a defined end point but a dynamic, continuing ...
Alex Jønsson: Heart Of Gold: Live In Aarhus
by Mark Sullivan
Recorded live at a living room concert, Heart of Gold presents an intimate portrait of Danish guitarist/composer Alex Jønsson and his trio. The title tune opens the set: it's not the well known Neil Young song, but it does have an Americana tinge. Drummer Andreas Skamby sets up a pillow of sound using mallets, bassist Jens ...
Tom Challenger and Kit Downes: Black Shuck
by Karl Ackermann
The great--and often dark--writer, Neil Gaiman, in his recently published book of short stories titled Trigger Warning tells the tale of the mythical dog-beast--the black shuck--that is to be avoided at night because ..."if you see him--you die.." Well, that's fairly dark and it sets the tone for the third duo outing from Kit Downes and ...
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