Home » Search Center » Results: CD/LP/Track Review
Results for "CD/LP/Track Review"
Paul Hubweber / Philip Zoubek: Archiduc Concert: Dansaert Variations
by Raul d'Gama Rose
Paul Hubweber's trombone may be pitched in Bb, as all tenor trombones are, an octave below the trumpet, but the trombonist being an itinerant spirit, makes twists and turns of pitch and, therefore, timbre, until he turns his instrument into a chorus of voices. On Archduc Concert : Dansaert Variations Hubweber comes bursting out of the ...
Colin Towns & The NDR Big Band: John Lennon - In My Own Write
by John Kelman
Since 2005, British arranger/conductor Colin Towns has trawled the discographies of Frank Zappa, Mahavishnu Orchestra and Miles Davis for collaborative potential with Germany's NBR Big Band. In every case--most recently, on Visions of Miles (In + Out, 2009)--the focus was on source material in and around the jazz sphere, with plenty of built-in grist for Towns' ...
Nordic Connect: Spirals
by Nicholas F. Mondello
Spirals manifest themselves across art, nature and life in varied ways. The geometric spiral image might even be seen three-dimensionally, with infinite depth or point-of-view added or perhaps spinning in perpetual motion. There's movement and implied energy in the curling image. Engendering reflection, a spiral goes from and to somewhere. Like its namesake, ...
Donny McCaslin: Perpetual Motion
by Troy Collins
Perpetual Motion is tenor saxophonist Donny McCaslin's first dedicated foray into the electrified realms of funk, R&B and soul. A renowned soloist whose memberships in Dave Douglas' Quintet, Mingus Dynasty and the Maria Schneider Orchestra have won him great acclaim (including a Grammy nomination for his work with Schneider's Orchestra), McCaslin has delved into groove-based territory ...
Luther Hughes / Cannonball-Coltrane Project: Things Are Getting Better
by Woodrow Wilkins
Match the stylings of two of the most revered jazz saxophonists, and you're likely to come up with The Cannonball-Coltrane Project. This five-piece ensemble pays homage to Julian “Cannonball" Adderley and John Coltrane. Bassist Luther Hughes says the idea came to him as he was listening to The Cannonball Adderley Quintet in Chicago (Mercury, ...
Charlotte Hug / Fred Lonberg-Holm: Fine Extensions
by Raul d'Gama Rose
Viola and cello have coexisted in splendid harmony on the concert stage for hundreds of years, both instruments bolstering powerful orchestral settings for every composer, even before Haydn, Bach, Mozart and Beethoven employed violin and cello in compositions with vivid effect. What delights the inner ear, however, especially on the brazen Fine Extensions, is the fact ...
Joe Lovano / Us Five: Bird Songs
by Troy Collins
An inquisitive musician with a reverence for tradition, Grammy-winning saxophonist Joe Lovano has recorded a number of unique tributes to artists who have inspired him, including Enrico Caruso and Frank Sinatra. But none of his previous homages, not even 52nd Street Themes (Blue Note, 2000), his love letter to the bebop era, are as relevant to ...
Adam Pieronczyk: Komeda: The Innocent Sorcerer
by Dan McClenaghan
Polish saxophonist Adam Pieronczyk pays tribute to his to his country's jazz pioneer, Krzysztof Komeda (b.1931, d.1969), with Komeda: The Innocent Sorcerer.Pianist/composer Komeda is better known for his film work, in the United States, than for his jazz work. The title of the CD is taken from the soundtrack he composed for the 1960 ...
Jane Ira Bloom: Wingwalker
by Wilbert Sostre
There is not a dull or cliché moment on Jane Ira Bloom's fourteenth album, Wingwalker. Her sound has been described as futuristic, and there is certainly some of that on tracks like “Frontiers in Science" and “Live Sports." But, most of all, Bloom is a master composer and musician with a truly unique sound. All compositions ...
Grace Kelly / Phil Woods: Man With the Hat
by Larry Taylor
Jazz veteran Phil Woods carries the alto sax torch from Charlie Parker, following in the footsteps of Art Pepper, Cannonball Adderley and Lee Konitz. Now he bestows the honor on 18-year-old altoist/vocalist Grace Kelly, its light shining on Man With A Hat. Woods, 80, with over a half-century of playing, first met Kelly ...
Album Showcase
Trending
Interview
Bill Bruford And Pete Roth: A One-Of-A-Kind Juxtaposition
Interview
Scott Kinsey: Thought Distortions and the Art of the Left...
Groove Orbit
801 Live at 50: A Short-Term Experiment with a Long-Lasting...
Live Review
Arcanum at Victoria Nasjonal Jazzscene, Oslo
Radio & Podcasts
Six new releases from Michael Pagan Big Band, Ron Vincent,...
Interview
Enrico Rava: The Secret Corners of a Master
Interview
Fred Lipsius: The Blood, Sweat & Tears Sax Voice Still...
Featured Video
VOTE!
