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Stanley Turrentine: Don't Mess With Mister T.
by Dan Bilawsky
When the CTI label originally released tenor saxophonist Stanley Turrentine's Don't Mess With Mister T. in 1973, it managed to bring music to the public that served as a sign of the times, while also helping to define the times. The soul within Turrentine's horn had been at the center of his earlier successes for the ...
Sun Ra: The Heliocentric Worlds of Sun Ra Box Set + College Tour Volume One
by AAJ Italy Staff
Dall'avvento del CD i dischi ESP di Sun Ra hanno subito un destino ristampatorio piuttosto frenetico, tra edizioni più o meno autorizzate e più o meno implementate. A mettere, forse, la parola definitiva a questo susseguirsi di tentazioni e delusioni per gli appassionati del musicista di Saturno [che, si sa, sono tra i più voraci e ...
Linley Hamilton: Taylor Made
by Bruce Lindsay
Trumpeter Linley Hamilton is a central figure in the burgeoning Northern Ireland jazz scene. He's an experienced musician, with a résumé that includes work with Van Morrison, Ken Peplowski and Jean Toussaint; being a broadcaster, whose Radio Ulster After Midnight program showcases new jazz; a writer and producer. Above all, he's a man with a genuine ...
Nicholas Urie: My Garden
by AAJ Italy Staff
Il ventiseienne losangelino Nicholas Urie è senz'altro un tipo da tener d'occhio. Intanto è un compositore puro, specie tutto sommato rara in ambito jazzistico (pur nell'ampia accezione che la sua musica richiede; ma che al centro ci sia il jazz è indiscutibile). Ha studiato con Bob Brookmeyer (come una certa Maria Schneider...) e poi ha iniziato ...
Thelonious Monk: The Definitive Thelonious Monk on Prestige and Riverside
by Kevin Davis
One fundamental paradox of compilation albums is the way so many good ones ultimately render themselves useless. Consider how many hits packages sit untouched on the shelves of aficionados, doomed to a lifetime of neglect simply for having the gall to work efficiently as the conversion tools they were intended to be. Consequently, a great compilation ...
The Chris Byars Octet: Lucky Strikes Again
by Greg Simmons
If a theorem states: “three harmonizing saxophones create compelling, rich, sonic textures," then the proof is the Chris Byars Octet's homage to saxophonist Lucky Thompson, Lucky Strikes Again. Lucky Thompson (1924-2005) is primarily remembered as a bebop saxophonist, but he was also a fine and underrated composer, leading small and mid-sized bands. Byars has ...
Clarence Williams: Washboard Bands: 1926-29, "Gimme Blues"
by Andrew J. Sammut
New Orleans native and musical jack-of-all-trades Clarence Williams enjoyed success on multiple levels of the music business, with washboard ensembles just one part of his extensive discography. Even without the timbral variety of a full drum set, the washboard crafts simple but effective rhythms. A chattering backbeat on “Wait 'Till You See My Baby Do The ...
Aaron Goldberg / Guillermo Klein: Bienestan
by Mark F. Turner
Collaborations between two jazz pianists on the same recording are rare. Yet in the case of rising stars Aaron Goldberg and eclectic composer Guillermo Klein's Bienestan--whose title means “a place of well-being"--the collaboration works on many levels and translates into a rewarding experience.Their connection began at Berklee in the 1990s. Goldberg played piano in ...
Okkyung Lee & Phil Minton: Anicca
by John Eyles
Following previous Dancing Wayang releases from the duo of John Edwards and Chris Corsano, and a solo release from Mats Gustaffson (with another from Peter Evans in preparation), the label continues its successful series of freely improvised music with this first recorded meeting of vocalist Phil Minton and cellist Okkyung Lee, recorded at Eastcote Studios in ...
Iron City: The Business
by Glenn Astarita
Guitarist Charlie Apicella and his band mates mix it up nicely with these originals and jazz standards, disavowing a rough-hewn presence and sporting a piquant mode of execution. The artists morph a somewhat traditional blue collar approach to the classic organ-combo into a contemporized product. The band may not 't reinvent the genre, but the diverse ...
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